If anyone gets in my way when I'm making a picture, I become irrational. I'm never sure what I am going to do, or sometimes even aware of what I do-only that I want that picture.
Light is the photographic medium par excellence; it is to the photographer what words are to the writer; color and paint to the painter; wood, metal, stone, or clay to the sculptor.
As a matter of fact, nearly all the greatest work is being, and has always been done, by those who are following photography for the love of it, and not merely for financial reasons. As the name implies, an amateur is one who works for love.
Your photography is a record of your living, for anyone who really sees.
You can't depend on your eyes when your imagination is out of focus.
Photographs that transcend but do not deny their literal situation appeal to me.
Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.
I don't trust words. I trust pictures.
I just get the will to do it. I don’t plan a photograph in advance… I work by impulse. No philosophy. No ideas. Not by the head but by the eyes. Eventually inspiration comes-instinct is the same as inspiration, and eventually it comes.
My images are unashamedly idyllic and romantic, a kind of enchanted Africa. They're my elegy to a world that is steadily, tragically vanishing.
If you want to be a photographer, first leave home
The best camera, is the one that you have with you!
I like to make people a little uncomfortable. It encourages them to examine who they are and why they think the way they do.
Photographers have to impose order, bring structure to what they photograph. It is inevitable. A photograph without structure is like a sentence without grammar-it is incomprehensible, even inconceivable.
A window covered with raindrops interests me more than a photograph of a famous person.
The purpose of all my photos is to capture the power of nature and convey it in a way that inspires someone to feel passionate and connected to the image.
I don't deliberately look for something dark or bleak or disconnected, in fact that's not something I'm even conscious of in the work as I'm making it. I'm always trying to create beauty, reveal hope, show the sense of longing that exists in isolation and loneliness, and capture the search for something greater inside all of my subjects.
To me it is no mystery that we can only photograph effectively what we are truly interested in or-maybe more importantly-are grappling with. Often unconsciously. Otherwise the photographs are merely about an idea or a concept-that stuff eventually falls flat for me-there must be something more, some emotional hook for it to really work for me.
If you love something, the work will be just fine.
I am fooling only myself when I say that my mother exists now only in the photographs on my bulletin board or in the outline of my hand or in the armful of memories I still hold tight. She lives on beneath everything I do. Her presence influenced who I was and her absence influences who I am. Our lives are shaped as much by those who leave us as they are by those who stay. Loss is our legacy. Insight is our gift. Memory is our guide.
I only use a camera like I use a toothbrush. It does the job.
Maybe to try to understand not just that we are living in a certain building or in a certain location, but to become aware that we are living on a planet that is going at enormous speed through the universe.
Life wanted faces that would express what we wanted to tell. Not just the unusual or striking face, but the face that would speak out the message from the printed page. I am always looking for some typical person or face that will tie the picture essay together in a human way.
Very often I say to myself: I would like to make a photo where nothing happens. But in order to eliminate, there has to be something to begin with. For nothing to happen, something has to happen first.
Nowadays, with digital printing, it's so easy to make everything perfect, which is not always a good idea. Sometimes the mistakes are really what make a piece.
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