Mazur was a remarkable artist. During our time in Rome we became friends. I would often perform my works for him at the piano.
Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.
Self-expression is something that you've crafted, something that you've found. You've practiced on that piano for hours, you didn't hang out with your buddies, you didn't go after the girls, you stayed in your own little geeky room or you wrote for hours.
I stay glued to my piano and my work. I don't look up. I write, I produce, I do the next project, I do my job. I don't look up, and I try to be kind. I try to be kind to people. That's what I do.
I bet you can't play slide piano.
Hearing is believing...a magician with the piano.
Everybody in my neighborhood in the '40s, they played pianos. That's how people partied. They didn't try the TV, the radio was OK, records was cool, but when people wanted to party, they got around a piano. My mother played piano, my sister played. I've been around a lot of piano all my life.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
Solving problems is a practical art, like swimming, or skiing, or playing the piano: you can learn it only by imitation and practice.
You may be perfect in playing the piano, and not be creative; you may play the piano most brilliantly, and not be a musician. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter. You may create a face, an image out of a stone, because you have learned the technique, and not be a master creator. Creation comes first, not technique.
A trumpet sounds pretty much like a trumpet, and that's true of a lot instruments; pianos sound like pianos, but there's something about the guitar - the range of possibilities is much broader.
Just with the basic one guitar, one piano and one vocal and an audience, I think that the intimacy comes through more. People feel much more connected to the song because there's nothing in the way, and I actually enjoy doing that.
As a young child, I thought that all pianists played everything. I mean, I thought anything on piano - any piano music, all pianists played it.
My brother and I grew up in a musical family. We have an older sister who sings and plays the piano. Our dad is a musician. Music was always a part of our lives.
When I'm singing at the piano and I'm having a really nice fun day singing, if I have a headache, the headache will immediately dissipate just the notes going through my head.
I enjoy the song writing process more than anything. It's what I like the most, just sitting in my room with guitar or at the piano or something. Just making something up, something that's not there, that suddenly is there.
There weren't sidewalks to skateboard on and malls to hang out in. There wasn't anything to do. And I was too scrawny to play football, and so I decided I was just gonna sit at the piano, because it made more sense.
I always have beauty around me, for I have but to go to my piano, and trace one of the million designs that have been made by my masters.
I cannot work and listen to Wagner at the same time, nor Mahler, nor Beethoven's late quartets. I enjoy listening to Chopin's piano music when I work.
Writing this book I am like a man playing the piano with lead balls attached to his knuckles.
Many times during auditions, I was told that I couldn't carry a note with a bucket, and that I sure couldn't play the piano.
Everyone asks me if piano had helped me in football. I guess improvisation and creativity helps on the field, but that's a reach. The two skills are just so different. And, by the way, I get more nervous playing piano.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
All too frequently the amateur will purchase a fine modern camera and proceed to use it for making the most elementary simple snapshots. This surely is like playing 'Chopsticks' on a concert grand piano.
Touch me 'til my ribs become piano keys.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: