One should leave the piano when Oscar comes in. This man is dangerous.
In general, therefore, color is a means of exerting a direct influence upon the soul. Color is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposefully sets the soul vibrating by means of this or that key.
Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings.
Strike the concertina's melancholy string! Blow the spirit-stirring harp like any thing! Let the piano's martial blast Rouse the Echoes of the Past
Radio, sewing machine, bookends, ironing board and that great big piano lamp - peace, that's what I like. Butterbean vines planted all along the front where the strings are.
very bright teeth as big and orderly as piano keys.
There must be a law if there is to be liberty. Try to play a piano and you will run into laws as fixed as the decrees of the Medes and Persians. But through those statutes you reach the songs, drudgery leads to delight. The law of Christ brings the liberty of Christ. Keep His statutes, and they become songs. The other side of commandment is conquest. What seems restraint to the outsider means release to you.
I guess you go too far when pianos try to be guitars.
People say to me now, Oh, youve given up the piano. How can you? Music is a virus.
The study of how substances alter gene expression is part of the field of epigenetics. Some chemical exposures appear to turn on and turn off genes in ways that disregulate cell growth and predispose for cancer. From this perspective, our genes are less the command-and-control masters of our cells and more like the keys of piano, with the environment as the hands of the pianist.
Mr. Bucchino occupies a special niche. His flowing, finely made piano ballads describe an urban single life in which relationships come and go... with high expectations, high anxiety and open hearts.
I haven't had such an overwhelmingly positive response as I have from The Normal Heart directly to me. And it's a blessing. If this is it, if I have a piano dropped on me tomorrow, then I would go down thinking, 'You know what, I did okay as far as my career goes, because that's a gift. That's rare.'
Mom and sister played piano growing up; my grandma still plays piano in church. They always beat me over the head trying to get me to play piano, but I was more interested in riding dirt bikes and playing in the mud.
I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.
I always thought of myself as the piano player in the band. That, I suppose, I'm confident about, and I guess my songwriting developed as I went along and I got a certain amount of confidence in that. The songs are like my kids, I'm proud of all of them for one reason or another.
I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.
The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.
I like the idea of becoming [fairly] good at lots of things rather than very good at just one thing. So it would be nice to be okay at the guitar or at the piano, a reasonable cook, perhaps able to fix your car or do some basic carpentry, and be able to write the odd article. Rather than being super good at one tiny thing, to be kind of average at lots of things. It might mean that you have a more kind of enjoyable, complete life.
Collaboration is just about finding people who are better than you at certain things and combining your powers. Like, if I'm not the strongest at playing piano, I'll work with someone who's really good at it and we'll combine both our brains to write a song.
The thing that got me through the worst of my teen years was running and the piano.
My father shared the ethos of many of the beat writers and was a friend of Allen Ginsberg. Probably for 25 years of my father's life, He had been an itinerant piano player and so traveled the road with bands and that sort of thing.
I think of my father growing up in South Jersey, the son of second-generation German immigrant glassblowers. The opportunities for him of feeling that aspiration, that yearning, get out of the small town, connect to a larger world, get yourself to New York, wanting to play the piano at every opportunity, bonding with people who were on a similar path, ending up in Provincetown, which was kind of nexus for nonconformity, and artistic dropout reality.
Usually, I make a simple beat, throw in the acapella, and then I just improvise on the piano. Whatever comes up, I record the result, and I rework on it. Sometimes it takes a while to come with an idea, but mostly it comes naturally because I already have a connection with the song.
I like music that is really pure and honest. For me, acoustic music, like a piece played on the piano, is very personal.
Figures tell us there are already more people on earth than we need to move even the heaviest piano.
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