The families of rabbits or woodchucks will eat the salad greens just before they are ready to be picked; I plot ways to kill these animals but can never bring myself to do it.
I like the plot of The Nutcracker - not at all.
You can't have a movie with a group of people that are significant players in the story, that push forward the plot, without introducing at least one or two of them.
From beginning to end Wilde performed his life and continued to do so even after fame had taken the plot out of his own hands.
This blessèd plot, this earth, this realm, this England This nurse, this teeming womb of royal kings, . . . This land of such dear souls, this dear dear land.
Baseball is a soap opera that plays out day after day, one that a lot of elderly women watch until the characters and the plot becomes a part of their life. She got to enjoy the personal side of the players. They were her kids. The Braves were her family.
Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.
But, as an actress, you don't want to run into these scenes, willy-nilly. The couple that I did do were important for the character and essential to the plot, to show what was actually going on between each character. It is great to be able to have that, and to be able to say certain things and have certain passions.
Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.
This act of empathy, that women go through from the time we're little girls - we read all of literature, all of history, it's really about boys, most of it. But I can feel more like Peter Pan than Tinker Bell, or like Wendy. I wanted to be Tom Sawyer, not Becky. And we're so used to that act of empathizing with the protagonist of a male-driven plot. I mean, that's what we've done all our lives. You read history, you read great literature, Shakespeare, it's all fellas, you know?
War isn't a TV show with plot twists to keep the viewers interested. The proliferation of images and blanket media coverage have suffocated the life out of old-style photojournalism.
What I try to do is reinvigorate strategies and clichés I find in Hollywood movies. At a certain point I had these huge folders, each one classified according to subject matter or genre: people with guns, people kissing, Indians and cowboys falling off horses, getting shot, getting shot with arrows - almost every plot device. Then I cropped the cheap, recycled imagery to give exhausted images new meaning, or at least something other than their original meaning. I'm basically reassembling atoms to give them a meaning that's more au courant.
It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.
There have always been dreamers. Men and women who catch a glimpse of something beyond themselves who dare to reach for goals and visions. .. Yet no earthly dreamer can match the greatest of them all, the Dreamer who died on the cross to make His dream a reality. John 1:1 says, "In the beginning was the Word." The literal meaning of logos, the original Greek term translated as "Word," is idea, thought or blueprint. It is an ancient Greek theatrical term describing the work of a playwright as he conceives, or dreams up, the plot of a play. So we could say, "In the beginning was the dream".
When I write my novels I don't really have a huge plan beforehand; I don't have the whole plot and architecture, so the story is sort of discovered as I write it.
A president of the United States, again, has to bring people together, have a position. We need to be able to penetrate these people when they are involved in these plots and these plans. And we have to give the local authorities the ability to penetrate to disrupt. That's what we need to do.
Authorities in New York City have foiled a plot by terrorists to blow up the Holland Tunnel. There was one awkward moment when officials informed President Bush the Holland Tunnel was safe. Bush then thanked the Dutch authorities for all their help.
U.S. Rep. Debbie Wasserman-Schultz accused Republicans of trying to make it a crime to be an illegal alien. Democrats see a conspiracy plot. First Republicans want to say that illegal aliens are illegal, next they're going to want to take away their voting rights.
Is it possible Hanukkah doesn't inspire folksy songs? Plot lines may be a part. The Christmas story has a lot of material to work with. There's Jesus and his birth, the wise men, their gifts and tons of frankincense.
And much of Madness, and more of Sin, And Horror the soul of the plot.
In the best nonfiction, it seems to me, you're always made aware that you are being engaged with a supple mind at work. The story line or plot in nonfiction consists of the twists and turns of a thought process working itself out.
A novel can educate to some extent, but first a novel has to entertain. That's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessibility. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with - who may not often read anything but the Sears catalog - to read my books.
While Barack Obama was making his latest pitch for a brand new, even more unsustainable entitlement at the health care 'summit,' thousands of Greeks took to the streets to riot. An enterprising cable network might have shown the two scenes on a continuous split-screen - because they're part of the same story. It's just that Greece is a little further along in the plot: They're at the point where the canoe is about to plunge over the falls. America is further upstream and can still pull for shore, but has decided, instead, that what it needs to do is catch up with the Greek canoe.
I eat broccoli. I think about the plot. I pace in circles for hours, counter-clockwise, listening to music. I try to think of one detail in the scene I'm about to write that I'm really excited about writing. Until I can come up with that one detail, I pace.
For me, wellbehaved books with neat plots and worked-out endings seem somewhat quaint in the face of the largely incoherent reality of modern life; and then again fiction, at least as I write it and think of it, is a kind of religious meditation in which language is the final enlightenment, and it is language, in its beauty, its ambiguity and its shifting textures, that drives my work.
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