I like to be in the zone. I like being in the studio with the artists, with the producers, with the musicians, feeling it, and going there. I feel like I have a lot of content to start writing about.
If I have to wear a hat as a producer to do that, then I'm willing to do that. An actor's, producer's and director's point-of-view is all the same to me, as long as the story's being told.
Most producers get into it because they were just never handsome or charismatic or talented enough to be the star.
The biggest mistake I made was not having a full-time producer. I was securing locations and wardrobe and making sure people get called to show up on time and getting the film to the lab and getting the camera, and all this stuff that I'm happy to do, but if I'm doing every little thing, I'm not concentrating on my story. So it never gets any better than the script.
I was really impressed with Naomi [Watts]. She was a producer, and she was doing things that I wasn't really aware of. The way she was able to switch from handling problems to shoot a really difficult scene, I think is a real testament to her true ability.
A hot producer might not make a hot beat for me. I just love music.
I am a writer (and one day I'll be an author). For a long time I was a bookseller (who wrote) or a TV producer (who wrote), but for the last decade or so, its been "writer."
I moonlighted during a two-week vacation, doing a month's worth of work in two weeks; it almost killed me, but I wanted to stretch my muscles and the letter from the producer says, "Your storyboarding is Eisensteinian," referring to the famous Russian filmmaker.
I am such a bossy producer and such a control freak that there's a part of me that really longs to be bossed around.
I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.
I'm a producer on my show, which is great, but it's also kind of a mixed blessing because there's so much responsibility. Everything is a decision. You have to worry about the money, you have to worry about daylight, who we're going to cast and if this location doesn't work out, what are we going to do?
To make a record requires a strategy; it's not just throwing somebody in the studio and seeing how it goes. Some artists are self-contained, but they still need advice about producers and collaborations and single choice. They need an army and a perspective and creative friction, because nobody has all the ideas.
I'm inspired by the music, always have been, always will be, it's only what a track or instrumental interpretation from a producer can do that will excite my pen into making magic for someone else to enjoy..Only the music inspires me.
There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.
I don't think there's any problem with working with a songwriter or a producer, but I just don't think you should completely hand it over to them.
I knew about the music. I got that part but I wanted to know the business, I wanted to know about royalties, how people got paid, producers and stuff like that so I read all those books like twice.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
I'm a producer first, and I know music, so I can jump on any song, whether it's pop or urban, without changing me. Whatever I do, I'm gonna make it classic.
Well digital media and social media are eliminating the middle man - in the old days, you had to go through the editors. Or the television producer, you know? Now you have people talking directly to each other, globally who have never met. I think you put the "word" in "word of mouth."
I'm a producer/rapper so I feel like I can do anything. I can do all kinds of music. I've done all kinds of music and I'm good at it.
I'm never uncomfortable with anything I do. I never feel like I regret anything. I love music. All kinds of music. I'm a producer first. I feel like I can do anything and still be myself.
I didn't graduate high school, so I never got a teacher's education, I'm mostly self-read, self-taught. I always loved music, so I would probably either be in a band with another group of people, or an arranger, a producer, a musicologist, a music history guy, something to do with music. Either that, or I would probably be in jail. Or dead.
I've never told anyone this, in an effort to run from my past and disguise it, I got rid of all of the scrapbooks my mother kept going back to when I was a baby. Truly. So that's why whenever talk show hosts or a producer asks for these pictures, there are barely any. My sister had a few, but that's it, and this was before digital. I've never told anyone that, but that's the truth.
What little reality television I've seen seems to be about economic desperation. Like the marathon dancing of the Great Depression, which should give us pause. People willing to eat flies and worms for a sum that is less than the weekly paycheck of the show's producer. I haven't seen "reality television" that is other than this kind of painful, sadistic exploitation of fit young people looking for agents.
Japanese animation tends to need high budgets. If I have a high budget for a movie, I usually make animation, but if the project has a low budget, then I would ask the producer to consider live action.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: