I do like being surprised by directors and producers and being offered parts I would never have considered, including parts that aren't necessarily obvious but which would test me.
An exploration of the challenges Korea faces in transforming its economy from a government-directed, low-cost producer to an innovative world economic power based on its own scientific and technological development.
The bizarre but all too common transformation of the woman artist from a producer in her own right into a subject for representation forms a leitmotif in the history of art. Confounding subject and object, it undermines the speaking position of the individual woman artist by generalizing her. Denied her individuality, she is displaced from being a producer and becomes instead a sign for male creativity.
I love producing. My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I'd like to build something to that effect.
And people say it all the time: 'You're a celebrity.' No, I'm an actor. I'm a producer. I'm a director. I'm a toad. I'm roadkill. I'm anything but a celebrity.
Well, executive producer can mean anything in the world of Hollywood, sadly. It can be a bought title in many instances.
All my career, I've said this: Critics and producers think audiences want actors that only present the silhouette and hit the points in the silhouette. What I do is too dangerous.
When I'm on a picture, I have two bosses - the director and the producer. My co-star is not my boss.
I want to know everything. I'm probably a bit of a pest for the producers because I ask a lot of questions.
A lot of producers always say "what direction are you going in?" and I don't know. I'm just doing music. Right now it's going well. It's a little slow, but it's expected because I haven't been in the studio for a minute.
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
I had written three books [Games of Throne], at that point, and each one of them was better than the other. At a certain point, as the books were doing well, I started getting interest from Hollywood, from various producers and studios who were initially interested in doing a feature film. I met with some of those people and I had phone conversations with some of those people, but I didn't see it being done as a feature film.
I got my deal off MySpace.com. I wrote to J.R. Rotem. He is big producer. He's done a lot of stuff for Rihanna, 50 Cent, Britney Spears and etc. I thought, "Yo, this guy is really talented I want to work with him." Once I sent him message he didn't reply back. I kept on sending the messages. I kept on hitting him back like eight times a day. He eventually replied back like, "Yo, I want to hear more music."
If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time they're like, "Can you try it this way, can you try it that way?" That's each line in the song, for each song.
We also exchange oil for software technology. Uruguay is one of the biggest producers of software. We are breaking with the neoliberal model. We do not believe in free trade. We believe in fair trade and exchange, not competition but cooperation. I'm not giving away oil for free. Just using oil, first to benefit our people, to relieve poverty.
Regardless of whether or not the producers think that there are five other people waiting for the job, the one that is there needs to be treated as if they are the only person for the job in that moment.
I approach mastering a little differently than some of my peers: I spend a lot of time creating a dialogue with the artist and the producers and mixers to try and get what they really are looking for.
It's not that appealing when something sexist happens to you. But if you're strong enough, and you can push that aside and keep your goal in mind and remember that you're doing your job - whatever that is, whether it's a producer or an artist or a mastering engineer - because you love it, then all that stuff falls by the wayside.
I don't really dig for answers from the producers and writers that much. I let things happen the way they're going to happen.
What I like about being an actress is that it keeps you feminine. Being a director and producer makes you manly and very masculine and I don't like that quality in a woman. But I'll do it when the film is very close to me.
I am not a rock producer. I don't see that. I once turned down Guns N' Roses. I don't like shouting. I'm a melody guy. I love great melody.
A lot of solo directors have a really strong creative producer with them. Jay and I have less of a need for that because we have each other.
For a long time networks just wanted to buy imitations of other shows - i.e. Curb (the Enthusiasm or the Office). The word gets out that "Hey, we want to buy something like that" and every comedy producer just starts dreaming up ideas like that.
So getting that balance between what is honoring scripture and the Word and also acknowledging the fact that by the virtue of putting it on film there's going to be a variation and adaptation, I mean, it's a fine dance and a balance. Our producers and directors have worked so hard to get that right and I'm really proud. I think it's a pretty good job.
I've worked with incredible producers who have also taken my voice and brought it to another level. I think I have some natural abilities, but it's the technique that I've been learning from the best that keeps me going. I'm really honored to do it.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: