May the work for the further development of chemical science, which has its strongest roots in this beautiful, strong and hard-working country of Sweden, continue to flourish in the future, for the promotion of culture and the benefit of mankind.
Putting out a newspaper without promotion is like winking at a girl in the dark -- well-intentioned, but ineffective.
The issue is, you do not have to go to either criminalizing and throwing people in prison. I don't think you should do that for people who are using any drugs. I think they absolutely need treatment. But we don't want to increase the availability, promotion and commercialization that would absolutely come with this idea of legalization.
If someone were plucked from the group and given those responsibilities, they might find themselves growing more aloof, just by virtue of that promotion. Suddenly the group culture excludes you. I saw this in my own working life, and I don't think it's a coincidence - I sensed a kind of loneliness in middle managers especially.
For me, promotional thing about some new album coming out destroys a lot of the excitement of making records. Records, movies, books - they're not supposed to be like math books. The purpose of them is to kind of take us out of ourselves and give us some sort of alternate experience or respite. To try to maximize the relationship of listening to a record through promotion is like experiencing driving a car by reading about stimulus programs. It kind of defeats the purpose.
The record business is an oxymoron. In the 1960s, there was an upside to selling plastic discs so labels took the risk - they paid for the record, for marketing, promotion, publicity, everything it took to make the artist a star. But now we have to go back to the venture capital model. The business is stopping and everyone's complaining but you can't blame labels. It's a shitty business. You do it because you're passionate, or because it's what you've always known. But if you lived through the nineties, nobody is thinking this is great compared to what it used to be.
We feel pretty comfortable making music but beyond that there have been other things to take into account, including promotion, marketing, airplay.
I do all of marketing and promotion - it's the most exhaustive and rewarding part of the process and I wouldn't trade it for anything. The artist should be the person representing their brand because theyre the best person to do so.
I think everybody wants to be the best at what they do and for me I was never really there, plus it was in a time that just preceded the insanity of internet promotion around 2005 and 2006. Obviously through the digital revolution things have moved very quickly and a lot of artists got left behind.
I just keep my ear to the street. I haven't read any music books recently, because I figure I read everything I need to know back when I was 12, 13 years old. I know pretty much everything about record publishing, radio stations. The only thing that's changed is you gotta keep up with social media. It's free promotion.
I'm disciplined about writing. I get up every day knowing I have to produce work. I'm less concerned about other aspects of the job, such as the prizes and promotions. Promoting my work can be awkward, unless I feel sociable enough. Prizes encourage me to work harder on my next project.
I'm a writer, so I interview people all the time, and I think of it as being a very creative process. Giving interviews is actually one of the most creative parts of the film promotion process.
You can be distracted by your love life, by the baseball game, movies, by the nonsense. "Can I get my kid into this private school? Can I get this girl to go out with me Saturday night? Am I going to get the promotion in my office?" All this stuff, but in the end the universe burns out. So I think it's completely meaningless.
I think as consumers Europeans are a lot more artist loyal irrespective of the genre of music or the type of project or the collaborative effort, and Americans are more media-loyal, because they need to be fed that media to know what's going on, because we're so inundated with promotion and marketing and everything that's going on - advertising.
Get the big view of your job. Think, really think your present job is important. That next promotion depends mostly on how you think toward your present job.
With all the traveling and promotion I've been doing for 'Murderball,' its been difficult keeping up with my rugby training.
The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
You can always tell when something is good, because the studio senses it has something good, and you can see them pour more and more resources into it. The promotion gets bigger and bigger.
I enjoy the hell out of writing but don't like what follows: promotion and publicity, which I always strive to keep to a minimum, sometimes to my publisher's dismay.
The State, of course, is absolutely indispensable to the preservation of law and order, and the promotion of peace and social cooperation. What is unnecessary and evil, what abridges the liberty and threatens the true welfare of the individual, is the State that has usurped excessive powers and grown beyond its legitimate function - the super-State, the socialist State, the redistributive State, in brief, the ironically misnamed 'Welfare State.'
People assume, because I'm Hef's girlfriend, that I'm a Bunny and I'm a Playmate and I'm a centerfold, but they're different things. If you're a Playmate or a centerfold, which is the same thing, you pose for the magazine, you are one particular month, and not every Playmate is a Bunny. A Bunny is a girl who used to work at the Playboy Club, she had the Bunny costume, and now that we don't have Playboy Clubs, it's just Playmates who work special promotions and are fitted for a Bunny costume.
Your heart, my friend, is the size of a stadium. If you try to fill it with small things - a new car, a vacation, a promotion at work, a bigger home, a stock portfolio - a mournful echo will fill your life. But if you fill your stadium with all of humanity and search for ways to make their lives better each day, you will find yourself in the right place at the right time, doing the right thing in the right way.
They don't encourage quality today. When I was coming along, Columbia Records would sit with you and assume it would take two or three albums to get the act where it needed to be. Then the company would structure its promotion based on one, two or three years. They encouraged quality and innovation - that's why groups like the Beatles would use sitars, string orchestras and so forth.
I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.
I think actually under scrutiny, Hillary's [Clinton] promotion of equal wages at poverty level and of healthcare for children but not for their families, of childcare when there are no jobs, it just doesn't cut it. I think women need a real agenda of justice because women are care-givers, because women are instruments of justice for our families and for our communities.
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