Punk's really cool because it's very inclusive of all types, which I like. And I would submit that even though people talk about punk as being thuggish, I think it can be more creative than other types of music.
One thing that really attracted me to punk was the DIY aspect. And the fact that, since I was a nerd, I was like 'you mean nerds can belong to this little society? So all of these things went into my attraction to it.
I saw the movie Sid & Nancy. It was a pretty good movie. It didn't really make me a punk rock fan. But anything that's new, as long as it's good I enjoy it.
I was an angry young man, as you say. I was a punk rocker, blaming the government, corporations, and anything external, like my family, for my anger. I was pretty miserable, festering in my own mind. I began to think, there has to be a different way, there has to be another way out.
People will tell me, "You're such a punk rebel," this or that, but I was not that growing up. I was actually a super-sheltered, conservative girl. Now, there was probably a bit of me that was like, "Why do I have to be like that?"
The older I get, the more of an anarchist I become, and I don't mean in a punk rock way.
If post-punk enterprise suggested that pop music could establish a fierce skittishness, an aggressive self-irony, that would enable it to transcend its manufactured state, video narcissism announces that pop has found an easy way to steal more cash from young people and damage their natural desires.
Prog-rock and concept records and some ambitious projects were kind of anathema post-punk. They were destroyed with the advent of punk rock. You don't necessarily need to have a degree in music composition to play in a rock band anymore, which is a great thing.
I went to a fancy dress party as a punk. I went through a stage of being a wannabe punk from the '70s. So, my next-door neighbours were like hardcore punks and I went to see The Vibrators and came home with a T-shirt that said "The Vibrators". My mum said: "You're not going out in that!" But I was really into it. I did soon grow out of it. But that's probably the most embarrassing story I have. I really am just quite normal.
When I was 18 years old, I came to Tokyo from my hometown, Ise, in the countryside. I'd always been really inspired by fashion and music, especially when punk came out in '76 or '77.
I actually got into music because of art and because of skateboarding: All those graphics and punk bands and fanzines - they were glued together in my brain.
It's a good time to be CM Punk right now.
When I was growing up I never babysat. I was considered to 'punk rock' to be trusted with kids.
I've not been an admirer of contemporary music since punk rock went off the boil in 1977, but once a year I'll listen to 'Spiral Scratch' by the Buzzcocks, or 'Hippy Hippy Shake' by the Swinging Blue Jeans. Otherwise, I can put up with Chopin or shakuhachi flute in the background.
I hate Keanu Reeves. I think he's a punk.
I listened to classic rock and roll, and punk rock. 'Goon Squad' provides a pretty accurate playlist of my teenage years, though it leaves out 'The Who,' which was my absolute favorite band.
It meant a kind of real liberation of expression. It embraced amateurism in a way that I still am inspired by. It was not about trying to get, you know, stadium gigs or even commercial radio play or even record deals for that matter. It was about saying something 'cause you meant it, and expressing something that you felt. And that was primary for that - whatever the scene, whatever punk rock means, it was very, very important to me, very formative.
If there is a new fascism, it won't come from skinheads and punks; it will come from people who eat granola and think they know how the world should be.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
I think I began getting really influenced by that whole punk scene around the age of 13 or 14-I went through that whole thing like the shaved head. I was always interested in what people called "the darker side," whatever that was, and the kind of look that you would see in the old horror films. So I let that become more of my persona.
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
Crisis and my experience of Punk Rock in Britain/Europe was anything and everything but "fun" and this sort of idea comes from people who were either not there at the time, or were and have an axe of some kind or another to grind about their own experiences with Crisis. The years between 1977 and 1980 were some of the hardest of my Life and they certainly contributed to Tony and I wanting to destroy the group in 1980 and head for sunnier pastures artistically, culturally, and whatever else we could find.
When I want something, I want it now, and Daft Punk taught me to be more patient.
I think punk, pop-punk, and rock music is all meshed together and I think good music is good music.
I liked seventeen-year-old me, I was happy when I was seventeen. I was this troubled goth kid that wore eyeliner and make-up to school and listened to punk-rock music and I loved my friends and I started to make music - I like seventeen-year-old me.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: