God knows America would be the greatest again if she operated like the Nugent family. No takers, no whiners, no gangsters, no dopers, no drunks, no criminals, no bloodsuckers, no excuse makers, no crybabies, no punks, no Obama supporters.
To me punk rock is thinking outside of the box, outside of the program, outside the establishment.
The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.
When I was very young, I played in a punk-rock band, but I also studied music theory and classical music.
The percentage of gays is the same, probably, as anywhere. Most bodybuilders are straight, regular street guys, though a lot aren't serious. Many in California are punks, beach bums just lying around in the sun and maybe collecting unemployment.
I like to wear a "Do Not Disturb" sign around my neck so that little kids can't tell me knock-knock jokes. "Hey, how ya doin'? Knock-knock." "Read the sign, punk!"
Wearing shorts is a huge perk. I think it's probably one of the reasons people become mailmen. You also get to drive in that vehicle that should be illegal in the United States, where the steering wheel is on the other side. They have no rules! They are the punk rock of government jobs.
It's a real smug self-righteous punk kid saying nobody has the right to tell him what to do and how dare you put a sign up saying that I can't go on your property?
Everyone should be able to go to a concert and enjoy music, and not feel like they're going to be harassed. That's how I see punk music.
Punk rock isn't supposed to be for everyone. There is that sort of private club mentality, which is necessary. It keeps things from getting watered down and boring.
My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.
I hated myself totally white. So now I cheat. It's my white hair, and I put color there. My grandson says I'm punk.
That's the authentic punk dance. It's like a child dizzy on lemonade.
I like the authentic punk dance you did there. It's like a child dizzy off lemonade
I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.
When I began to cover songs for YouTube, they all tended to be in the super pop-genre.. as in, smash-hit songs. My writing process was heavily influenced by this - I went from a more heavy punk rock style to straight up sugary-sweet pop.
Punk rock and metal has always been a home to me, it's where I cut my teeth; and those are the friends that I have, and the bands that I love.
It's exciting to be able to do something completely independent without anybody challenging it, and it's a big part of the reason why I'm enjoying doing the stand-up comedy, is I'm able to go out and interact with people one-on-one after the show. It's very punk-rock.
Street culture is punk, hip-hop, skateboarding, surfing, graffiti. It's like a massive global culture that is all tied together. But for so many years it was very geographic.
I think "punk" should really be defined as paving your own way creatively and by defying any sort of orthodoxy or commercial pressure.
When I joined, they were like "Woah, dude!", because I came right out of that type of playing. But obviously with P. Roach there's more groove. I like doing those slower big fills, but I also like injecting some of that punk rock urgency. But I definitely need to mix it up, because if I was playing all fast fills all the time, it just wouldn't work.
A man once asked me, what's punk? I kicked over a trash can and said that's punk. He kicked over a trash can and then asked me again, Is that punk? I replied no. That's just trendy.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
It was never my goal to capitalize on punk. I could never make it as a commercial artist. I didn't back then and I still don't have the temperament and don't care for drawing or painting or making art for any other purposes other my own.
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