When I began to cover songs for YouTube, they all tended to be in the super pop-genre.. as in, smash-hit songs. My writing process was heavily influenced by this - I went from a more heavy punk rock style to straight up sugary-sweet pop.
Punk rock and metal has always been a home to me, it's where I cut my teeth; and those are the friends that I have, and the bands that I love.
It's exciting to be able to do something completely independent without anybody challenging it, and it's a big part of the reason why I'm enjoying doing the stand-up comedy, is I'm able to go out and interact with people one-on-one after the show. It's very punk-rock.
It seems like the powers that be are really trying to separate everything and really divide the genres and divide the trends. If you're metal and you don't sound like Slayer would sound now, then you're not metal. If you're punk rock and you don't sound like and preach about what The Sex Pistols would have preached about back in the day, then you're not really punk rock.
I think "punk" should really be defined as paving your own way creatively and by defying any sort of orthodoxy or commercial pressure.
When I joined, they were like "Woah, dude!", because I came right out of that type of playing. But obviously with P. Roach there's more groove. I like doing those slower big fills, but I also like injecting some of that punk rock urgency. But I definitely need to mix it up, because if I was playing all fast fills all the time, it just wouldn't work.
A man once asked me, what's punk? I kicked over a trash can and said that's punk. He kicked over a trash can and then asked me again, Is that punk? I replied no. That's just trendy.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
It was never my goal to capitalize on punk. I could never make it as a commercial artist. I didn't back then and I still don't have the temperament and don't care for drawing or painting or making art for any other purposes other my own.
Madisyn [Shipman] was great. She's a really talented kid. We got along great. It was fun, in between scenes, I'd pull out my iPod and show her different old rock 'n' roll and punk stuff, and she was really into it.
Music is music; you can't change rock and say well this is punk rock and this is acid rock or rockabilly.
Look at me... look at me... I need the attention, oooh I'm punk rock I got some tattoos, I got some piercings. If I'm gonna get some piercings then I want everyone to see it...I don't need to advertise my punkness. A real punk doesn't need to show off...Its like a Karate man... the Karate man bleed on the inside. A real punk is punk on the inside.
What we get in punk these days is the "anti-anti": Someone comes up with something, then the next generation is against that, and then the next generation is against that, and then that thing becomes a problem. There's these layers of anti-, and so many of them are just so self-serving. It's not about larger freedom.
I love punk rock, but I also love metal.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.
Punk rock and skateboarding took the 'school' out of living your life, and I related to learning as I went, doing a lot of different things that I liked, when I liked. Consequently, I'm mediocre at all of the above, but still stoked on being a lifetime student of music, skating, painting, writing, etc.
Art talk is punk. Let the movie do your speaking for you.
I'm a huge Nirvana fan and I like seeing things that at first seem out of context, but actually they're one of the biggest bands in the world. I like to see pop culture, like punk or alternative culture, clash with some other type of culture.
I was the punk outsider who nobody messed with. I was fearless. At 16, I graduated and moved out.
I stop and think what they call "punk rock" today...give me a break! Let me know when they can walk in the vapor trail of Little Richard, which was punk. You've got a gay black guy with a pompadour singing about tutti frutti with your white girl. Fuck you.
I was starting to play the ukulele at the same time I was having all these conversations with [the late Ramones guitarist] Johnny Ramone, these intense tutorials staying up late and listening to the music he grew up on, and picking up what's a great song and what makes a great song. He was all about lists and dissecting songs, like what's a better song by Cheap Trick: "No Surrender" or "Dream Police"? Sometimes you'd be surprised by the answer. It was an interesting dichotomy between hanging out with the godfather of punk rock and starting to play the ukulele. They came together.
Street culture is punk, hip-hop, skateboarding, surfing, graffiti. It's like a massive global culture that is all tied together. But for so many years it was very geographic.
It's such a measure of your solidarity with Ed, that when you would give lectures, he would be wearing a tartan tie that matched. And I demanded that outfit, I thought it was so punk - her long skirt, she looked like a Scottish queen, so regal.
I was really good friends with Matthew Ashman, the guitarist in Bow Wow Wow. He died, unfortunately. He was one of my best friends during my sort of punk period.
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