When you're pushed killing is as easy as breathing.
Back there I could fly a gunship, I could drive a tank, I was in charge of million dollar equipment, back here I can't even hold a job PARKING CARS!
Rambo isn't violent. I see Rambo as a philanthropist.
Ninety-five percent of women's experiences are about being a victim. Or about being an underdog, or having to survive... women didn't go to Vietnam and blow things up. They are not Rambo.
'Rocky' represents the optimistic side of life, and 'Rambo' represents purgatory.
The phenomenal thing that happened to me is that I was able to create two memorable men: one is the ultimate optimist, Rocky, and then you have Rambo, the ultimate pessimist. You're going to always be remembered for them, no matter what you do.
I try to eliminate as much dialogue as possible, and I guess Rambo is my really best experiment with how to eliminate dialogue.
I wasn't trying to write a corrective novel - that would just end up tasting like medicine, and I tried to stay away from polemics as best I could. I think that, if anything, Fobbit is my way of showing readers there's another side to war - the backstage of combat, if you will. If you play a word association game with Americans and say "war," what's the first thing that comes to mind? Soldiers running across a battlefield through a hail of bullets, right? Rambo, smoke, explosions. In Fobbit, I hope readers will see something a little different
Rambo was a Green Beret," Hannah said. "Please. We eat those army boys for breakfast.
I think the violence is important. It all depends on the genre. Rambo was ultra-violent, and I think it worked. You have to give Stallone credit. You have to respect him for taking that shot, and taking the violence all the way. He was the first one to do that in a long time. It fricking worked.
At the very end, the one person who Rambo should kill, he doesn't kill. He lets it live. Because you can't kill that kind of hypocritical bureaucracy. It goes on forever.
The idea of Rambo is kind of intriguing as a closing chapter. When you shoot a film as a sequel to do another sequel it's a whole other tone. But when you know it's the final chapter you try and put in there as much emotion, understanding and closure as you can. So, whereas Rocky is a lighter character and optimistic, Rambo is much darker.
The tie's a multi purpose accessory, y'know, belt, school boy, Rambo.
A rap pro, do a show, good to go, also Cameo afro, Virgo, domino, I go Rambo, Gigolo, Romeo, Friday night spend money on a ho...tel, To get a good night's sleep, I'm keeping in step. Now do I come off? Yep.
One of the first cassette tapes I ever purchased was the Rambo III score. I was not allowed to see Rambo, but my mom would allow me to buy the music, so I would listen to that score over and over and imagine the movie. But those limitations and not being able to access those things made me so much more excited about them.
His name was Rambo, and he was just some nothing kid for all anybody knew, standing by the pump of a gas station at the outskirts of Madison, Kentucky.
What was nice about the nineties is that it was an example of music that responded to a desire of the times. It spoke to the social conditions of the times. Women were making more money. Women were saying, "My voice counts. If we're going out on a Friday night, I don't want to see a Rambo movie. I want to go see a singer/songwriter who sings about my life".
Experience shows that after a disaster it is particularly difficult with the Americans, who appear to be quite cowardly despite their Rambo films.
I came home for a week after I finished filming Rambo because, after being in the jungle for three months, all I wanted to do was walk in the Highlands.
I love Rambo but I think it's potentially a very dangerous movie. It changes history in a frightening way.
I like Stallone, because he writes. He sits down with a blank page and comes up with another Rambo movie. That isn't very easy for anybody. He's made it successful on top of that.
I loved 'Rocky' and 'Rambo', and am very proud of them.
When Scorsese shoots a violent scene, it's very uncomfortable - it's not like watching 'Rambo.'
How did you escape? (Syd) I fought my way out in a manner that would have made Rambo proud. And when I got home without his body because I couldn’t pull him out without getting myself killed, I got slapped in my face by everyone around me. So don’t talk to me about death, little girl. I wrote the book on it. (Steele)
I took the stool next to him, raising an eyebrow at the coffee and cruller on the counter. "Thought you weren't into internal pollution," I said. Lately Ranger'd been on a health food thing. "Props," Ranger told me. "Didn't want to look out of place." I didn't want to burst his fantasy bubble, but the only time Ranger wouldn't look out of place would be standing in a lineup between Rambo and Batman.
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