The system should speak the users' language, with words, phrases and concepts familiar to the user, rather than system-oriented terms. Follow real-world conventions, making information appear in a natural and logical order.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
Doesn't the world inside a black and white photograph seem more real? It's because the real world is losing its color
For it is a mad world and it will get madder if we allow the minorities, be they dwarf or giant, orangutan or dolphin, nuclear-head or water-conversationalist, pro-computerologist or Neo-Luddite, simpleton or sage, to interfere with aesthetics. The real world is the playing ground for each and every group, to make or unmake laws. But the tip of the nose of my book or stories or poems is where their rights end and my territorial imperatives begin, run and rule.
I'm always in a state of trance, I'm not very often in the real world.
Logic, too, also rests on assumptions that do not correspond to anything in the real world, e.g., on the assumption that there areequal things, that the same thing is identical at different points in time: but this science arose as a result of the opposite belief (that such things actually exist in the real world). And it is the same with mathematics, which would certainly never have arisen if it had been understood from the beginning that there is no such thing in nature as a perfectly straight line, a true circle, and absolute measure.
I had the idea that there were two worlds. There was a real world as I called it, a world of wars and boxing clubs and children'shomes on back streets, and this real world was a world where orphans burned orphans.... I liked the other world in which almost everyone lived. The imaginary world.
Though they themselves might be as surprised as their parents and teachers to hear it said, adolescents--these poignantly thin- skinned and vulnerable, passionate and impulsive, starkly sexual and monstrously self-absorbed creatures--are, in fact, avid seekers of moral authenticity. They wish above all to achieve some realistic power over the real world in which they live while at the same time remaining true to their values and ideals.
The things of this world reveal their essential absurdity when they are put in the Venetian context. In the unreal realm of the canals, as in a Swiftian Lilliput, the real world, with its contrivances, appears as a vast folly.
But in the intellectual world, there is room for all opposing forces: even that which never appears victorious in the real world continues to be effective as a dynamic force (in the intellectual world) and precisely the unfulfilled ideals prove to be the most invincible.
Making a film is like raising a child. You have to be there every step of the way, guide it, provide for it, and finally let it go into the real world and hope you have done a good job. If you don't absolutely love your film then you will loss interest in it and the movie will suffer.
In the real world there's an after-effect of disappointment if you lose an argument. But if, to begin with, you're set up not to have this particular autonomy, then you're not disappointed.
Normal, day-to-day things inspire you to write. I try to travel and chill, and go out and enjoy the outdoors. That makes you see the real world. Not just in the studio or at concerts. I live it up as normal as I can.
I don't feel beholden to follow the real world at all. The important thing is to know WHY things turned out the way they did. You need to understand the reasons for events, or at least be able to make reasonable guesses about them.
We human beings instinctively regard the seen world as the "real" world and the unseen world as the "unreal" world, but the Bible calls for almost the opposite.
I read that MTV's Real World got 40,000 applications. That's amazing, such an even number. You would have thought it would be 40,008.
A lot of people feel like urban fantasy is a shortcut that gets you around world-building, because it's set "in the real world." But it doesn't really work that way, as I found out. You have to come up with just as consistent an internal cosmology and magic system as you would if you were writing high fantasy.
I didn't study writing in school, I studied biology as an undergraduate and graduate student. So I think that I write fiction in the scientific way. I love invention, obviously; I love creation of character. But I do feel very rooted in the real world, even in the way that I create characters.
Because I write fiction that is based in the real world, it's going to lead people into some of the modern dilemmas and concerns and even catastrophes that they will think about in a new way.
I like to work in the real world, so I do a lot of searching or just simple looking. But I'm not above tweaking reality and making something up. I don't think there are any rules in art. It's not so much what you see as it is the significance you, the artist, see in it.
A reason I became a writer was to escape the hopelessness and despair of the real world and enter the world of hope I could create with my imagination.
In the real world, it is hard to be taken seriously as a woman. Use your brain and be smart about your choices. There's nothing wrong with being a good girl - it's actually very attractive and sexy.
When you're playing cards you can't constantly think about what the money costs you in the real world. You can't be constantly concerned about that if you want to be successful.
Those who see Smith as a defender of capitalism - as it existed in Marx's day, or as it exists today - show above all that they are not living in the real world. They are behaving as though the undeveloped form of capitalism Smith studied is still with us.
None of us like violence in the real world, but we're fascinated with it onscreen.
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