Capitalism will behave antisocially if it is profitable for it to do so, and that can now mean human devastation on an unimaginable scale. What used to be apocalyptic fantasy is today no more than sober realism.
The monster I kill every day is the monster of realism. The monster who attacks me every day is destruction. Out of the duel comes the transformation. I turn destruction into creation over and over again.
A masterwork. A particularly American magic realism that touches the heart of race and childhood in our country; it's 100 Years of Solitude for an entire generation of American Baby Boomers, and deserves the widest possible audience.
TV is sometimes accused of encouraging fantasies. Its real problem, though, is that it encourages-enforces, almost-a brute realism. It is anti-Utopian in the extreme. We're discouraged from thinking that, except for a few new products, there might be a better way of doing things.
Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely.
I acknowledge Mike Leigh and Ken Loach. They are prostlytizers of English socialism preaching to the converted and telling us what we already know. Cinema is best served away from documentary neo-realism. I come from a tradition of post-post-Italian neo-realism in England, where we've produced the best television in the world. But to paraphrase Truffaut, the English have no visual imagination.
Has he some psychological antipathy to realism? I am no psychologist, and cannot say. The fact remains that Euwe commits the most inexplicable mistakes in thoroughly favorable positions, and that this weakness has consistently tarnished his record.
What passes for political realism may make for lively academic debates. But it often functions, ironically, as a tool of social control, rendering us passive with an analysis that overwhelms and paralyzes us.
I am convinced that love is the most durable power in the world. It is not an expression of impractical idealism, but of practical realism.
A realist is an idealist who has gone through the fire and been purified. A skeptic is an idealist who has gone through the fire and been burned.
The true impressionism is realism. So many people do not observe.
There is a curious law of art... that even the attempt to reproduce the act of seeing, when carried out with sufficient energy, tends to lose its realism and take on the unnatural glittering intensity of hallucination.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn’t planned; it was realism.
For real human beings, the only realism is an embodied realism.
I believed in realism, as summarized by John McCarthy's comment to the effect that if we worked really hard, we'd have an intelligent system in from four to four hundred years.
We have to give up the idea of realism to a far greater extent than most physicists believe today.
I am the daughter of Mr. Neo-realism: I should gravitate towards narrative simply told, character, the truth. And I do love those movies.
Three cardinal virtues of business: creativity, building community, practical realism.
...theories should be judged by their ability to predict events rather than by the realism of their assumptions.
Realism is punishing. Probabilistic skepticism is worse.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
It would be difficult for a writer of realism to avoid suggesting a political/moral perspective in his or her fiction. "Politics" per se is absent from my writing but there is usually a moral (if ironic) compass.
It is true (independently of our conceptualisation) that it is wrong to inflict pain on a sentient creature for no reason (she doesn't deserve it, I haven't promised to do it, it is not helpful to this creature or to anyone else if I do it, and so forth). But if this is a truth, existing independently of our conceptualisation, then at least one moral fact (this one) exists and moral realism is true. We have to accept this, I submit, unless we can find strong reasons to think otherwise.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
I am convinced that love is the most durable power in the world. It is not an expression of impractical idealism, but of practical realism. Far from being the pious injunction of a Utopian dreamer, love is an absolute necessity for the survival of our civilization. To return hate for hate does nothing but intensify the existence of evil in the universe. Someone must have sense enough and religion enough to cut off the chain of hate and evil, and this can only be done through love.
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