Satire is people as they are; romanticism, people as they would like to be; realism, people as they seem with their insides left out.
It feels much better to me to think that an artist is working to show his appreciation of what already has been created than creating things himself.
Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around.
Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
Reality is that which, when you stop believing in it, doesn't go away.
There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.
Realism is condemned by those artists whose poverty of technique does not permit them to express it.
Accurate drawing, accurate colour, is perhaps not the essential thing to aim at, because the reflection of reality in a mirror, if it could be caught, colour and all, would not be a picture at all, no more than a photograph.
Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole.
I am stuck with my passion for the objective world, for the constantly shifting shades of meaning to the events of my life, to the states of being of the people I paint, and to the persistent need to get it right.
I only understand realism.
One must distance oneself from the idea of strict realism. It seems to me that real nature doesn't exist anymore, this idea of "the wild." This is why I love parks, and why I chose to use them in my work - they are beyond nature. I see nature as a resource.
But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques.
Abstraction and realism work best together.
Realist artists should join together in a worldwide effort... Sharing it with each other and teaching it - that is the key to the success and never-ending beauty and harmony of Realism.
Political realism is aware of the moral significance of political action. It is also aware of the ineluctable tension between the moral command and the requirements of successful political action. And it is unwilling to gloss over and obliterate that tension and thus to obfuscate both the moral and the political issue by making it appear as though the stark facts of politics were morally more satisfying than they actually are, and the moral law less exacting than it actually is.
I transformed myself in the zero of form and emerged from nothing to creation, that is, to Suprematism, to the new realism in painting - to non-objective creation.
I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.
I don't want realism. I want magic!
I firmly believe that a representational painting is only as strong as its abstract components.
Realism has to be such high quality, you can't fake it. It's all hanging out there like the laundry.
Cynical realism is the intelligent man's best excuse for doing nothing in an intolerable situation.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
I felt the most intense pleasure in piercing the stone in order to make an abstract form and space; quite a different sensation from that of doing it for the purpose of realism.
Our generation has an incredible amount of realism, yet at the same time it loves to complain and not really change. Because, if it does change, then it won't have anything to complain about.
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