The difference between resemblance nominalism and class nominalism is that the former, but not the latter, brings in resemblance to account for the truthmakers of the propositions in question.
Imperfect communities show that being a maximal resemblance class is not sufficient for being a property.
I wanted to write a book that imagined where advances in the study of genetics might lead us. Holman was the first character who came to me: I envisaged the misshapen offspring of beautiful, wealthy parents. Then I realised that he bore a striking resemblance to Toulouse-Lautrec. I developed that, made Holman an alcoholic who lives among hookers, an artist tortured by his disability.
When Ben Carson said that he would remove all federal funding for universities that had 'extreme political bias.' Who would decide what political bias was, and what is 'extreme'? That kind of policing of ideas has a striking resemblance to the black list, and that's what happened during that era.
Biblical archaeology was developed early in this century in an effort to substantiate the authenticity of the Biblical account. It's by now generally recognized in Biblical scholarship that it has done the opposite. The Bible is not a historical text, and has only vague resemblances to what took place, as far as can be reconstructed. For example, whether Israel ever existed is not clear; if so, it was probably a small kingdom somewhere in the hills, apparently virtually unknown to the Egyptians.
What's so great about my business is that every day is different than the day prior. Today, the industry bears little resemblance to the one I joined 30 years ago, which is what's so exciting about it. But the one thing that hasn't changed is the notion that a successful business model is one that has the ability to respond positively to the unexpected shifts in the winds as they continue to present themselves.
The vitrines and shelves that I make, the objects displayed can be easily exchanged. This is a key to the work-the objects are mere signs of capitalism. The reason for their existence is in anticipation of their own destruction. They are meant to trigger a resemblance to the way store windows appear just before they are smashed by demonstrators. They represent targets for potential violence.
Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.
As our president bears no resemblance to a king so we shall see the Senate has no similitude to nobles. First, not being hereditary, their collective knowledge, wisdom, and virtue are not precarious. For by these qualities alone are they to obtain their offices, and they will have none of the peculiar qualities and vices of those men who possess power merely because their father held it before them.
The Ideas of primary Qualities of Bodies, are Resemblances of them, and their Patterns do really exist in the Bodies themselves; but the Ideas, produced in us by these Secondary Qualities, have no resemblance of them at all. There is nothing like our Ideas, existing in the Bodies themselves. They are in Bodies, we denominate from them, only a Power to produce those Sensations in us: And what is Sweet, Blue or Warm in Idea, is but the certain Bulk, Figure, and Motion of the insensible parts in the Bodies themselves, which we call so.
Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.
Highly creative people have a gift for connecting supposedly unrelated elements and ideas. They cross borders without regard for customs posts or No Trespassing signs. They throw suspension bridges across great distances. These elegant and unexpected combinations flow together beautifully in the twilight zone, where metaphor and resemblance rules in place of logic and classification.
I've tried very hard and I've never found any resemblance between the people I know and the people in my novels.
There is an interesting resemblance in the speeches of dictators, no matter what country they may hail from or what language they may speak.
Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context - which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.
Everybody must have projects all the time. The maximum must be extracted from leisure ... The whole of life must look like a job, and by this resemblance conceal what is not yet directly devoted to pecuniary gain.
Poetry is a satifying of the desire for resemblance.
I'm not making light of prayers here, but of so-called school prayer, which bears as much resemblance to real spiritual experienceas that freeze-dried astronaut food bears to a nice standing rib roast. From what I remember of praying in school, it was almost an insult to God, a rote exercise in moving your mouth while daydreaming or checking out the cutest boy in the seventh grade that was a far, far cry from soul-searching.
The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.
Quite generally, international affairs have more than a slight resemblance to the Mafia. The Godfather does not take it lightly when he is crossed, even by a small storekeeper.
The dignified catastrophes of tragedy bear little resemblance to the slow ruin inflicted by life.
Men always talk about the most important things to perfect strangers. In the perfect stranger we perceive man himself; the image of a God is not disguised by resemblances to an uncle or doubts of wisdom of a mustache.
We have a war dictator who was not elected, he snuck in. so he punishes people that threaten him in any way, or even say something he doesn't like. It has no resemblance to democracy.
It's funny, it never occurred to me that a movie star would play me. But now that she [Reese Witherspoon] is playing me, it's like, of course, it couldn't be anyone else! I don't know if you've seen pictures of Reese and me and Reese and my daughter Bobbi, who's named after my mother, and also plays me. There's a kind of resemblance.
Gertrude Jekyll, like Monet, was a painter with poor eyesight, and their gardens - his at Giverny in the Seine valley, hers in Surrey - had resemblance's that may have sprung from this condition. Both loved plants that foamed and frothed over walls and pergolas, spread in tides beneath trees; both saw flowers in islands of colored light - an image the normal eye captures only by squinting.
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