I was born by the sea, and I have noticed that all the great events of my life have taken place by the sea. My first idea of movement, of the dance, certainly came from the rhythm of the waves.
I've always felt that a really good joke, a really good one-liner, is a really good line of poetry. It's imagistic, it's compact, there is a rhythm to it.
But the soul of Africa, its integrity, the slow inexorable pulse of its life, is its own and of such singular rhythm that no outsider, unless steeped from childhood in its endless, even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.
There are people who have a penchant for cities-more than that, a talent for them, a gift of sensing them, of feeling their rhythm and pulsebeats, as others have a highly developed music sense, or color reaction. It is a thing that cannot be acquired.
Spanish and English have such different music, and in my own poetry I feel much less drawn to fluid sounds than I do toward the hard sounds and rhythms that come out of the Anglo-Saxon roots of English.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
I'm a bit of a political geek anyway, so you tend to write how you think the rhythms of an administration will go.
There are a lot of similarities between music and surfing. There's a rhythm to both of them and with sound waves and ocean waves, you see patterns, plus the breathing is all part of it.
Punctuation is biological. It is the physical indication of the body-rhythms which the reader is to acknowledge.
Those who have to face persistent political persecution become highly politicized. Our lives take on a rhythm different from those who, on waking up in the morning, do not need to wonder who might have been arrested during the night and what further acts of blatant injustice might be committed against our people later during the day. Our antennae become highly sensitive to vibrations barely noticed by those whose everyday existence is removed from political struggle.
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
My voice is my instrument. ... It is not in the throat, from where it appears to come. It is in my feet and how they touch the floor, in my legs and how they lift and sink with the rhythm of the song. It is in my hips and belly and lower back.
The conversation of two people remembering, if the memory is enjoyable to both, rocks on like music or lovemaking. There is a rhythm and a predictability to it that each anticipates and relishes.
There's something in the rhythm and roll of it that is connected to the way Hitchcock thinks and moves. Then there is everything he ingested - the cigar smoking and drinking that's imprinted on his voice.
I dont like to waste notes, not even one. I like to put the right note in the right place, and my influences have always been those kinds of players. Keith Richards comes to mind, and I really like Nils Lofgrens soloing, because hes so melodic. I love John Lennons rhythm playing, and George Harrison was an incredible guitarist.
Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn, it's a vehicle for it.
I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
The good and bad are all tangled up together. American popular music is loved around the world because of its African rhythm. But that wouldn't have happened if it wasn't for slavery.
There are rhythms in the world waiting for words to be written to them.
I know I can't dance. I am the worst dancer. I have no rhythm. I just do step-and-snap. I love it in the privacy of my own home and every once in a while at a club. But singing and dancing are my two greatest fears.
Negro music has touched America because it is the melody of the soul joined with the rhythm of the machine. It is in two part time; tears in the heart; movement of the legs, torso arms and head. The music of the era of construction; innovating. It floods the body and heart; it floods the USA and its floods the world. The jazz is more advanced than the architecture. If architecture were at the point reached by jazz, it would be an incredible spectacle.
The error of Socrates must be attributed to the false notion of unity from which he starts. Unity there should be, both of the family and of the state, but in some respects only. For there is a point at which a state may attain such a degree of unity as to be no longer a state, or at which, without actually ceasing to exist, it will become an inferior state, like harmony passing into unison, or rhythm which has been reduced to a single foot. The state, as I was saying, is a plurality which should be united and made into a community by education
The two elements the traveler first captures in the big city are extra human architecture and furious rhythm. Geometry and anguish.
You want something, you dwell upon it consciously for a while, you consciously imagine it coming to the forefront of probabilities, closer to your actuality. Then you drop it like a pebble into Framework 2, forget about it as much as possible for a fortnight, and do this in a certain rhythm.
White rhythm is waltzes, marches, and the polka. In Africa, rhythm is used for a celebratory groove, but white rhythm doesn't have such an enormous vocabulary of spirits. It's basically militant.
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