You've got the sun, you've got the moon, and you've got the Rolling Stones.
You can't always get what you want, but if you try sometimes, you might find, you get what you need.
The Rolling Stones are truly the greatest rock and roll band in the world and always will be. The last too. Everything that came after them, metal, rap, punk, new wave, pop-rock, you name it... you can trace it all back to the Rolling Stones. They were the first and the last and no one's ever done it better.
A rolling stone gathers no moss, but it gains a certain polish.
There was a knock on our dressing-room door. Our manager shouted, 'Keith! Ron! The Police are here!' Oh, man, we panicked, flushed everything down the john. Then the door opened and it was Stewart Copeland and Sting.
When I was a kid and my parents started talking about politics, I'd run to my room and put on the Rolling Stones as loud as I could. So when I see all these rock stars up there talking politics, it makes me sick... If you're listening to a rock star in order to get your information on who to vote for, you're a bigger moron than they are. Why are we rock stars? Because we're morons. We sleep all day, we play music at night and very rarely do we sit around reading the Washington Journal.
When you are growing up there are two institutional places that affect you most powerfully: the church, which belongs to God, and the public library, which belongs to you.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
Every time you read something about Rolling Stones it always mentions their age and how long can they go on? I think there are certain genres of music where people are allowed to go on, but there is something about rock and roll, I guess because it originally started out to be a teenage rebellion.
I'd rather be dead than singing "Satisfaction" when I'm forty-five.
I've been meeting with Live Nation CEO Michael Rapino for years, trying to figure out how to fix the concert industry. We're all so overpaid. It's ridiculous. People stopped going to concerts because they can't afford them. The Rolling Stones are charging $650 per ticket! That just makes me speechless. I love the Stones, but I won't be attending.
I got to play on a couple of records with the Rolling Stones, and that was really special to me.
I guess I haven't talked to Bob Dylan since before then [interview to Rolling Stones]. I follow his career.
Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.
I did a cover for Rolling Stone the other day and it was a kind of crazy lack of outfit. I thought, "Oh, Lord. I'm never going to be Jane Austen in a film now!" 'Cause that's what I'd really like to do.
I was the first records editor at Rolling Stone, and there were no rules. There was nothing to fall back on as to how do you write about this kind of music, so people were trying absolutely everything with a great sense of freedom and experimentation and success and failure, and a feeling of, “My God, people are actually paying attention to this. Let’s pretend they aren’t because we don’t want to be intimidated by what somebody might think of what we’re saying.
One day, I remember it was in television. I was a fan of the Rolling Stones. One of the members, the guitarist, had died from an overdose of drugs. I cried tears – my model had died. After this, an exciting new group, the Radha Krishna Temple, came on and sang the Hare Krishna mantra. I immediately felt deep solace.
If you're an American kid, you can't help but be influenced by Led Zeppelin, Black Sabbath and the Rolling Stones because they're always on the radio.
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.
We're not ignored by The Guinness Book Of Records, but we've been largely ignored by the media during our lifetime. If you read any article, no mention is ever made of Pink Floyd. We're never included in the same sentences as The Beatles, The Rolling Stones and The Who. I wrote 'The Wall' as an attack on stadium rock - and there's Pink Floyd making money out of it by playing it in stadiums! Pathetic. They spoiled my creations.
They got love bigger than the Beatles, wild and free like the Rolling Stones.
I was never in the office [of Rolling Stone]. It was very different from Lampoon, where we spent a lot of time together socially, which is to say "drunk."
I have loved music since I was a baby and had the chance to begin early. At 14 I had my first band, a quartet, and then many others until I was 19 playing Beatles, Rolling Stones, Mamas & The Papas, Crosby, Stills... today we'd call them "cover bands
Both the Beatles and The Rolling Stones broke on the music scene the summer I was in England. I can vividly remember hearing She Loves You in August 1963.
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