I wonder if a single thought that has helped forward the human spirit has ever been conceived or written down in an enormous room: except, perhaps, in the reading room of the British Museum.
I've had a lot of glamour come my way in the last 10 years - you know, movie stars and mansions and red carpets and trips to Europe and crazy stuff I never would have imagined - and I look at them as if I'm the bartender in the corner of the room. They've never gone into my psyche. I look at them with distance, and wonder.
Life? Bah! It has no value. Of cheap things it is the cheapest. Everywhere it goes begging. Nature spills it out with a lavish hand. Where there is room for one life, she sows a thousand lives, and it's life eats life till the strongest and most piggish life is left.
This vacation tip: If you see a gas station with a sign that says Clean Rest Rooms, it means one thing--the door is locked and no one can find the key.
You're always working to improve, and you're always being critiqued on your next performance. It's not about what you've done. There's always room to grow.
It's a pretty big shadow. It gives me lots of room to spread myself.
I have so fixed the habit in my own mind that I never raise a glass of water to my lips without a moment's asking of God's blessing. I never seal a letter without putting a word of prayer under the seal. I never take a letter from the post without a brief sending of my thoughts heavenward. I never change classes in the section room without a minute's petition on the cadets who go out and those who come in.
Obviously technologies that are sustainable are a logical first step to creating a just society, one that doesn't trample life in all its forms, whether it's other humans or other life forms on the earth, one that acknowledges that we're all sharing the space and that there needs to be room for every living thing somewhere.
A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people, of distant landscapes and faraway cities, of the vanished past-are incitements to reverie. The sense of the unattainable that can be evoked by photographs feeds directly into the erotic feelings of those for whom desirability is enhanced by distance.
A lot of people don't really understand what rehearsal's about. People are afraid they're gonna leave it in the dressing room, or you're gonna shoot your wad in rehearsal.
I've always had a fascination with interior design. As a kid, I used to go to real estate open houses with my parents on the weekends. Like a nerd! I would think of how I would piece rooms together at those open houses.
I've always loved to dance and keep fit but more recently I feel like I cannot keep up any longer and my back starts to hurt. And I get angry and then I have to really learn to forgive myself and go: you know what, you're nearly twice the age of some of the people in this room, give yourself a break.
I was in a hotel room in Dallas, and I was jerking off so much and so sadly and pathetically, that the phone rang, and I thought it's them, they're complaining. ... "Sir, could you please stop?"
You don't need great actors to do a 3D picture. All of this condescending stuff that they put out? "Oh, we will always need actors." Bullshit! They are able to take anybody and put some markers on them, and have them walk through an empty room. Then they paint in the background.
I can think of few things more painful than naming four good things about yourself in front of a room of journalists!
It's unusual to spend even three full hours away from my newborn baby, it's like a piece of my body is back in the hotel room, and it does feel strange. But I love my work, though, it's not just a job for me, punching in my time card. I've always loved what I do, it's what makes me happy and I figure if I'm happy I'll be a good Mum too.
At every point I wished that I was born English. They need to make it colder in here. You could hang meat in this room. But, yeah...I grew up in a very English household. My folks were from Liverpool. I've said this before, but there is nothing more English than an Englishman that no longer lives in England.
Even if I loved the script, the director has to be right because it's all about the filmmaker. It's their vision. They're the ones that go back into the editing room and reassemble the film.
The difference is in Hostel it's in the theatre - it's in public but it's in a private place. You have to actively make a choice to want to go see it. It's not being forced on anyone. Whereas 24 you can be flipping channels and it's right there in your living room. Anyone has access to that. But that just shows how mainstream it is and how people are seeing this stuff on YouTube. People are scared of it. This is a subject matter that everyone's talking about and everyone's thinking about, particularly in American culture.
I have the ordinary experience of having the blender bottom come off in my room upstairs. I have the ordinary experience of being anonymous when I'm in an airplane talking to air-traffic control, and they don't know who they're talking to. I have a lot of common experiences. What's important is to be able to see yourself, as having commonality with other people and not determine, because of your good luck, that everybody is less significant, less interesting, less important than you are.
When I was a kid, I wanted to be a boy. I really had gender issues. I really thought I was supposed to be a boy. I used to sneak into my dad's room and put on a suit, drink a cocktail, and pretend to smoke a cigarette.
When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."
There's room for everything in everybody.
I'm into lately being a little less precious about writing and being like, "Okay, what if I just locked myself in my room, pretend that there's someone outside with a gun that's saying, 'Don't come out until you write something.'"
There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.
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