I love San Francisco. It would be a perfect place for a honeymoon.
Almost all of "Julie" was shot on location in Carmel, which is a lovely resort town a little south of San Francisco. My co-star was Louis Jourdan, whom I liked very much. An amiable man, very gentle, very much interested in the people around him; we had a good rapport and I found talking to him a joy . . . We would take long walks on the beautiful Carmel beach, chatting by the hour.
An American in London...cannot but be impressed and charmed by the city. The momumentality of Washington, the thriving business of New York, the antique intimacy of Boston, plus a certain spacious and open feeling reminiscent of Denver and San Francisco-all these he finds combined for his pleasure.
San Francisco, America's B-movie imitation of Paris. San Francisco, the city that ruined punk rock. San Francisco, the most intolerant place in the country.
Not very many companies go through Hawaii on their way to anywhere. San Francisco Ballet was the only company I remember, and Bolshoi, coming through Hawaii when I was younger.
You grow up real quick, a half-Mexican in a sailor's suit, because I'd be riding the streetcar to school everyday - minding my own business, humming out a 'Frere Jacques' - and I realized that in any other town, this might be considered cute. But you know what it is in San Francisco? Sexy.
[David] Mamet is another hypocrite. His idea of Black man is a pimp who abuses women, [Edmond], yet his play Oleanna [1994] ends with a White professor slapping an uppity feminist, at least the version I saw at San Francisco's ACT.
It wasn't until I went to college and met different people from different areas of life - and then went to San Francisco and met people who really knew who the hell they were - that I kind of caught up in a hurry.
In L.A., a lot of comics live here, but we don't get to spend that much time together because we've got to drive 45 minutes home, or do another set. So in San Francisco we can hang out, go for dinner - the community aspect of it is really lovely, as well as seeing people's shows that you don't normally get to see a longer version of.
Growing up north of San Francisco, I immersed myself in the local landscape and in books about Native Americans, cowboys, and pioneers that seemed to ground me in it, but to pursue culture in those days meant being spun around until dizzy and then pushed east.
I'm not Israeli and because I'm not a citizen, it doesn't matter how often I go there - I'm still not Israeli. There's this way I feel so close to so many people there, but I always feel like I'm staring through the glass. And in a way, having this really thin piece of glass between me and this place is incredibly useful for me as a writer, because I'm just so hyper-aware of it. I could take a walk in San Francisco and probably notice a third of the things that I would notice in Israel, because I'm just attuned to everything when I'm there.
There's nothing like space and the ability to make unlimited amounts of noise at any time, especially in San Francisco.
People in New York, LA, San Francisco, they scratch their head at the concept of a gay Republican, but it really makes sense there.
I got interested in Zen when I was a teenage beatnik on the streets of San Francisco. And it was my interest in Zen, in part, that got me into the Marine Corps, because that was a ticket to Asia. So I spent a couple of years on Okinawa and began reading and thinking about how I wanted to go about conducting my life.
There's two different disks recorded at two different shows. And they're two very different shows. The San Francisco disk was in front of 450 people and was a real professional show where people did their best stuff. So to some people that's going to be their favorite disk.
Dr. Paul Ekman, who worked in San Francisco - still does - which is where Pixar Animation Studios is, he had early in his career identified six. That felt like a nice, manageable number of guys to design and write for. It was anger, fear, sadness, disgust, joy and surprise.
In many ways, Apple CEO Tim Cook has been saying that and more for many years. He's said you don't have to choose between doing good and doing well. But only a few dozen people were lined up outside the Apple Store in San Francisco. That's nothing compared to the hundreds and thousands that line up for new products. Cook is taking a gamble here.
I always wanted to travel around and see lots of America, I'd never been to Boston, I'd never been to San Francisco even, so I'm quite excited to just go the places.
Few people have written significant books about San Francisco. Robert Duncan was, in my opinion, often in the clouds. If he walked the streets a lot he didn't write about as such.
I had these glorified ideas about San Francisco and its drug culture - I thought inspiration would just hit me and I would get these San Francisco drugs in my system and all of a sudden an amazing record would come out. But that's not really what happened at all.
The initial spark that promoted me to start Not For Sale was human trafficking in the San Francisco Bay Area. This led me to take a journey around the world on how this could exist in the 21st century.
Tony Bennett, you've helped us share the magic of San Francisco around the world.
I was influenced by the hippie movement in San Francisco and by the feminist movement, which had arrived in Paris.
After high school I went to the San Francisco Art Institute, and I began a formalized art education where we went through the history of art but we also went through the art of my contemporaries.
There's a difference between performing in Philadelphia to New York as much as a difference between playing in Luton and playing in San Francisco, y’know what I mean?
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