I do not want to admit to the world that I can be a bad person. It is just that I don't want anyone to have false expectations. Moviemaking is a harsh, volatile business, and unless you can be ruthless, too, there's a good chance that you are going to disappear off the scene pretty quickly.
I'm living every ten-year-old boy's fantasy. The other day, Chris and I had this big scene where we had to pull out our guns, and I was thinking, 'Here we are in New York City - a place where every actor wants to be - and we are literally playing cops and robbers. How great is that?'
I'm from Louisiana, and that's where I got my start, in Cajun music. There's a huge music scene down there centered around our culture. Those are people that are not making music for a living. They are making music for the fun of it. And I think that's the best way I could have been introduced to music.
The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.
My first real kiss came when I was 10, and it was in an acting class. I had to do a scene from a movie where someone gets kissed under a tree, and I did not want to do it! But my acting partner wanted me to feel comfortable, so he bought a picnic basket with all these snacks. He made such an effort - and it was cute.
I find that kid actors are great reminders of the simplicity of acting. As you get older, you can sometimes complicate things a little more. You can become too aware of, 'Okay, this is the scene emotionally. This is where we need to be. We've got the climax coming up.' You can start to analyze it too much.
I haven't had the time to plan returning to the scene because I haven't left it.
I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
One of the mistakes I made was believing that the rock 'n' roll genre as a genre was much more free than the whole pop or R&B scene.
I feel like all the songs are little scenes, different angles, of the feelings that come around something ending.
If you're a female and you get asked by someone who shoots the most beautiful female scenes to be in their film, it's kind of exciting.
I love making movies and hope to write my own screenplay someday and do some producing and be behind-the-scenes as well.
I am fascinated by crime scene investigating. I swear, I wish I was a crime scene investigator sometimes!
After all, in today's music scene every band seems to steal from other bands.
When you're around the whole Dead scene, they're there as a tribal thing; they're there as part of a rendezvous and a pow-wow.
If I talk to a girl, it's assumed that I'm having a scene with her. If I don't, then it's assumed that I'm gay.
Concepts, like individuals, have their histories and are just as incapable of withstanding the ravages of time as are individuals. But in and through all this they retain a kind of homesickness for the scenes of their childhood.
Of course, actors look forward to the day when they can do a big courtroom scene.
When we're awake, cortisol can fragment memories - one reason eyewitness crime scene accounts are so unreliable. But at night that very fragmentation allows creative recombinations of ideas.
In the liberal remake of 'Casablanca,' the police captain comes upon the scene of the shooting and orders his men to 'round up the usual weapons.' It's always the weapon and never the shooter.
The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible.
It comes down to something really simple: Can I visualize myself playing those scenes? If that happens, then I know that I will probably end up doing it.
If a character dies, you get to do a big, juicy death scene. But the flip side is you're out of the sequel, which is where the real money is.
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off the script and just flew by the seat of our pants.
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