I remember one time that I was filming a scene in whych my character rides through Troy on a chariot. I just looked around at this incredible set thinking 'This is the life'.
On Sept. 11, 2001, thousands of first responders heroically rushed to the scene and saved tens of thousands of lives. More than 400 of those first responders did not make it out alive. In rushing into those burning buildings, not one of them asked, 'What God do you pray to?' What beliefs do you hold?'
Most of the memorable events I have myself been exercised in; and, for the satisfaction of the public, will briefly relate the circumstances of my adventures, and scenes of life, from my first movement to this country until this day.
The biggest empty space, the biggest gap in what should be a premier and always vibrant food scene in America is that we don't have hawker centers like they do in Singapore, basically food courts where mom and pop specialists can set up shop in fairly hygienic little stalls all up to health code making one dish they've been doing forever and ever.
I would say my fraternity was nothing but a bunch of farm boys; we weren't really in the whole fraternity scene, but yeah, that's a safe assessment of who I am. I've lived that life, growing up in agriculture and then going off to college and joining a fraternity, livin' that life.
Poop humor is fun. If you do the toilet scenes well and commit to them, they can be really, really powerful.
It was my first scene. My first day. We could have started with me drinking a beer, something a little less than having Barbies touching each other. But they started with that.
In the beginning, it wasn't even a question of deciding I'm going to do independent film and not commercial films - I wasn't being offered any commercial films, and there wasn't an independent scene.
The Heads were the only band on that scene that had a groove.
Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.
I knew I wanted to be an actor when I was very young. I guess I was about 6 years old at the time, and I was fascinated by television. I started having waking fantasies where I was in a movie and there were crane shots of me during a scene.
I'm sticking my tongue out in scenes to try to make that work in 3D. I'm thinking I'll try to get my tongue all the way out to the second row of the audience.
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from and they're also relying tremendously on the creative imagination of the reader.
I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.
You write a scene, and it works or it doesn't. It's immediate.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
Ah, reality TV: where opportunists delight in exposing opportunism! It's kind of like the indie music scene.
It's possible that I've matured as a writer, and I hope I've matured emotionally, but I always find myself revisiting these adolescent scenes.
When I was a 21-year-old intern at CBS, I was told I had crossed eyes and shouldn't try to be on air. That's when I decided I was going to be behind the scenes.
I always wanted to be an anchorman, but after college I wound up working behind the scenes at CBS News for 10 years.
I find it really awkward to do a scene where I'm supposed to seem like I'm in love.
I love directing scenes that I'm not in because suddenly I really feel like a filmmaker which is a different thing.
I try not to do scenes a certain way, because then I become conscious of it, and it dosen't come off as realistic. I try to make it so that I'm not really aware of what I'm doing.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
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