I'm just happy when directors make a movie that is really sentimental but without being maudlin or saccharine or too much like Chewels gum. I don't want to be involved in a movie that's too much like a piece of Chewels.
If you really think back to the great writers, there's a lot of happiness in Tolstoy; there's a lot of love, there's childbirth, and there's dances. And likewise in Shakespeare and even Cervantes, there's a lot of celebrations of the positive manifestations of life. Technically, I found it harder to do, so that's kind of a good late-life challenge - without getting sentimental or chirpy.
I'm sentimental about Jesus on the cross. Jesus was a Jew, and also I believe he was a catalyst, and I think he offended people because his message was to love your neighbour as yourself; in other words, no one is better than somebody else. He embraced all people, whether it was a beggar on the street or a prostitute, and he admonished a group of Jews who were not observing the precepts of the Torah. So he rattled a lot of people's cages.
Men are less sentimental than women. No man has ever seen the movie THE WAY WE WERE twice, voluntarily.
Now all of us deplore this vast military spending. Yet, in the face of the Soviet attitude, we realize its necessity. Whatever the cost, America will keep itself secure. But in the process we must not, by our own hand, destroy or distort the American system. This we could do by useless overspending. I know one sure way to overspend. That is by overindulging sentimental attachments to outmoded military machines and concepts.
If you were to say to me that you needed a romantic and sentimental song in four hours, I would have that song written in four hours.
Are you apathetic toward the saccharine goodness evangelized by sentimental, superstitious fanatics, but equally bored by the intellectuals who worship at the empty-headed shrine of scientific materialism?
One that we can admire aesthetically and participate viscerally in. So the goal here, and we've had some early, small screenings, what seems to be kind of happening is that you come in thinking you're going to see a cool robot boxing movie, you don't expect this emotional underdog, father/son movie. And it's not one that's soft and overly sentimental, but hopefully it's one that's poignant.
The Columbia years are the most sentimental for me. My parents were together through most of that time and we were a happy, sort of normal family.
I've never been sentimental about my horse. The horse doesn't give a damn about you. If you want to know the truth - horses are dumb.
People relate to things that feel real to them. All the good, happy, over-sexed and moneyed endings on TV are not the way most of us feel in our lives. The success of 'E.R.,' I think, is not relying on overly sentimental stories that are solved where people's lives wrap up nicely with happy endings.
The German people are an orderly, vain, deeply sentimental and rather insensitive people. They seem to feel at their best when they are singing in chorus, saluting or obeying orders.
Here one must think profoundly to the very basis and resist all sentimental weakness: life itself is essentially appropriation, injury, conquest of the strange and weak, suppression, severity, obtrusion of peculiar forms, incorporation, and at the least, putting it mildest, exploitation - but why should one for ever use precisely these words on which for ages a disparaging purpose has been stamped?
To laugh is to risk appearing a fool, to weep is to risk appearing too sentimental, to reach out for another is to risk involvement, and to expose feelings is to risk exposing one's true self.
These words "accessible" and "emotionally available" get thrown at us from agents and editors and publishers - or the reverse - if it's not all goo-ey and sentimental we're told it's "cold" or "uncaring" or "emotionally vacant." In other words, responses to women's writing in particular continue to be "gendered."
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
Love is at once the most creative and yet simultaneously destructive force in the world, and thus, in our lives. And I don't mean the Hallmark sentimental type of love, although that is part of it. But a deeper obligation that we have to each other: the obligation to reflect our humanness at each other, to reflect back the things others show us and we, them.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
It's interesting, for me sappy means sentimental and something that gets you in your heart, gets you emotional. That's what I mean. Also, of course, it means that I'm slightly setting up the audience that there's a bit of fun involved, as well.
I knew that the principle objective of my film was to be a sentimental or an emotional study. What I did was kind of like subterfuge.
I'm a Lebanese woman who directs films. That's not it at all. I am not really a woman nor am I really an Arab. Because I am not an apologist for women, nor of sentimental "world" films.
And there were times when one yielded quite shamelessly to the sentimental. They were more likely to be times of crickets, I think, than of birds - when it was impossible not to feel, like another essence of the sunlight, the bittersweet of life that lingers about old houses, and places where men have died, and things that forgotten hands have touched.
I've gotta be honest, it is a little of a mystery to me. I consider myself very sentimental, very sensitive, but obviously my outward appearance is a bit scruffy-haired, and I have a general tendency toward snarling at people, and a sort of misanthropic nature. Maybe that is what people actually read. I do actually believe that misanthropy and sensitivity go hand in hand, because I have a tremendous disappointment in the ways of the world.
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