The construction of social housing and the attempt to support families seeking to buy their own homes are all projects from the 1960s and '70s. It all sounds old-fashioned, but it is actually completely modern.
[On "John F. Kennedy" set] everybody was very interested in the accent. Even my collaborators were very curious to know if I was even going to do it. And I was, like, "You just can't not do it." I think everybody was worried that it was going to sound like the guy from... is it The Simpsons?
When you ask why did some particular question occur to a scientist or philosopher for the first time, or why did this particular approach seem natural, then your questions concern the context of discovery. When you ask whether the argument the philosopher puts forth to answer that question is sound, or whether the evidence justifies the scientific theory proposed, then you've entered the context of justification. Considerations of history, sociology, anthropology, and psychology are relevant to the context of discovery, but not to justification.
Donald Trump is not supposed to save jobs one by one. He's supposed to build a sound macro economy in which private enterprises create jobs.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
I've always been into music that was meshed together - not necessarily wall of sound stuff but music where you get duelling guitars and weird harmonics by putting things together, and you might not even know what's playing - it could be four or five instruments doing the same thing, and it's this strange concoction.
We have a number of very powerful women in the world now - Mrs. [Angela] Merkel, who the Germans call Mutti. What did we call Mrs. [Margaret] Thatcher? When she was minister of education, she stopped the children's free school milk. This may sound quaint, but after the war we were such a malnourished nation that part of the founding of the welfare state were public health initiatives. Every little schoolchild got milk. Mrs. Thatcher stopped it. They called her "Maggie Thatcher, milk snatcher."
I do think, as crazy as it sounds, that sports is an addiction and that it should be accorded some of the same supports as any other addiction.
I hear some new artists that sound country but the record labels and country radio lean more toward a more rock feel for what gets signed to a label and played on the radio.
Our culture is becoming more hostile to the gospel. This trend may be more established in Australia than in the USA, but it's now certainly the case that the postmodern mindset is dominant, particularly in the media. Therefore, when we start speaking in terms of certainties, we sound scary to other people.
Often Americans have heard Donald Trump be very hard on China. But that's not how it's heard over there. In China, his message is being interpreted as the sound of an exhausted America, an America that is seeking to withdraw from its commitments to NATO, to holding up, for instance, human rights around the world.
The battlefield is first and foremost horrible stenches, not sights, not sounds, but stenches. They don't travel well into literature.
One's ability to communicate a story visually, honestly, is a bridge of communication that transcends language because the true mark of a good film is that you can turn the sound off and watch it and have some understanding of what you're seeing.
I really wanted to be allowed to the [writer's] table. So it makes me happy to be at the table. It sounds a little shallow, but if I imagine the shadow life, where I didn't get that chance, and all the ways my negative inclinations would have bloomed if I hadn't gotten the attention, but also the creative outlet ... I'm not actually that happy. I have multiplicities. My happiness blooms and it wilts.
Realism as a foreign policy doctrine means basically you don't care about values; you consider them a luxury, and it leads to a kind of acquiescence in spheres of influence. Now, spheres of influence sound good if you're a graduate student, or a certain kind of - an academic with a certain habit of mind. But in fact, spheres of influence don't work out very well, certainly not for the victims, and there are always victims.
I guess what I know now that I definitely didn't know as a child, is that being truest to yourself is the greatest weapon in the war to achieve. That sounds really negative, but in conquering or achieving something. I think, as a child, I thought I had to be somebody else.
Too many American (and other) Christians revel in feelings and/or morality and don't care to develop a biblically-shaped Zeitgeist or worldview. The result is folk religion rather than classical, historical Christianity which has always included sound theology.
I went off to college, a good, middle-class, very proper college, a Brethren institution, where two years of Bible study are required for graduation. It was a good, sound, thorough, but completely biased evaluation of the Bible, and I was delighted with it, because it helped to document my doubts; it gave me a framework within which I could be critical.My independent study continued for 20 years after this. So I do know the Bible very well from a Protestant point of view.
Ryan Reynolds and I can be doing a scene facing the camera and somehow our back and forth and our rhythm, we know when to stop and when to volley, when to make the sound. It's like music.
My name is indigenous to my country, it is not easy to pronounce, it takes effort to say correctly and I am absolutely in love with the sound of it and its meaning. Also, it's not the kind of name you baby, slip into sweet talk mid sentence, late night phone conversation, whisper into the receiver kind of name, so, of that I am glad.
For me, changing the sound and listening to new music - that's just so fun. Sometimes it works and sometimes it doesn't. You're never going to please everybody. I feel that at the end of the day, I should make what I want to make since somebody is going to hate it and somebody is going to love it too. I can't control that.
I think that actually the rhythmic nature of picture books and of young reader story books is a way to help kids fall in love with language and what you can do with it and how it sounds in your range. It sort of has a musicality but on the other hand they get the story and the ideas and the context of it. I think it's a way to get kids into it and I also think that when kids are around people who love books it rubs off on them.
We know where the television is - everything has to be a sound bite; everything has to be an image; ideas are okay as long as they don't take more than four or five seconds to explain; candidates and issues are commodities that are sold like cans of soup; entertainment is limited to what a few people believe the lowest common denominator is; and you can't talk back to it.
As cheesy and melodramatic as it might sound, love excites me more than anything... in all its forms.
My own personal sound is really progressive. It's like a mixture of gospel, pop, neo-soul, R&B. It's like a huge gumbo. If you're eating gumbo you grab a whole like cup full of whatever. You're getting a whole bunch of stuff that makes this amazing food in your mouth. So that's essentially kind of like what my sound is.
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