Most of the bands that I really hold in my heart - you don't think about them as bands; they're just the soundtrack of your life.
I do select a soundtrack for each of my subjects and again my assistants you know they make fun of me because that is more important to me than the lighting, which I just do in a minute right before, but I spend a long time on the soundtracks.
Music from my iPod was setting my life to a dramatic soundtrack that only I could hear.
The spirit of America is all about defiance, and the best music like mine is the freedom soundtrack.
I signed Jay-Z because he was on fire. I wasn't a genius. The record was great. I put it on The Nutty Professor soundtrack and we signed him.
The public doesn't get to see everything. I worked with X a couple times since then. Me and X have a close relationship. We actually did a record they were going to put on the Training Day soundtrack but he ending up buying the record from me and putting it on Great Depression as a bonus track.
I realize that people fly with small children all the time, and that babies are easier in some ways because all they do is sit/lie around anyway, but damn it's hard to keep a baby comfortable on any flight, much less a long one, particularly amid the looks of horror they will get from fellow passengers as it dawns on them that their 10- to 13-hour flight might come with a soundtrack of screaming baby.
Come here and take off your clothes and with them every single worry you have ever carried. My fingertips on your back will be the last thing you will feel before sleeping and the sound of my smile will be the alarm clock to you morning ears. Come here and take off your clothes and with them the weight of every yesterday that snuck atop your shoulders and declared them home. My whispers will be the soundtrack to your secret dreams and my hand the anchor to the life you will open your eyes to. Come here and take off your clothes.
I was really influenced by a lot of Disney soundtracks, because that's what I used to watch all the time, and they always put music in it, which is why I tend to have popular melodies over harder beats.
I feel like I make a soundtrack for the come up, and I feel like there's so many people that's trying to figure out how to chase their dreams, or that are in the process of chasing their dreams, so they connect with that. And then being a singer, you don't really get to touch on nothing either.
I never use soundtrack; it is always part of the story.
Of course the Disney movies, you know all the soundtracks, and anything Gene Kelly and Fred Astaire were doing - Singing in the Rain was one of my favorite musicals I used to watch a lot because my mom came from a theatre background.
People tend to forget that we tie our life history to music like the soundtrack to your life in many more ways than just having a hit record on the radio.
We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.
This is just too awful. Such an amazing talent [like George Michael] gone too soon. Wham was part of the soundtrack to my teenage years.
There are things that make me excited about what I'm doing: Trouble the Water [the 2008 documentary Glover executive produced] on New Orleans, or something like Soundtrack for a Revolution, about the power of the music of the civil rights movement [which he executive produced in 2009]. Or Bamako, about the African debt crisis, a platform to discuss the experience of people who actually live it. All of these are important ways we can use film as a forum inviting people into a dialogue.
Culture and politics were inseparable [in the Sixties], which gave a soundtrack to political awareness and activism.
For me, Woody Allen's 'Manhattan' defines New York. Both New York and Manhattan Island should be in black in white! I always hear the soundtrack of Gershwin in my head every time I go over the Queensboro Bridge, or come in from JFK because of it!
The way that I write songs is pretty simple. I hear music first, much like you would when you're scoring a film. I usually hear a soundtrack in my head, and after I get that soundtrack, it tells me what it's about, what it feels like, what the emotion is, and the words come after.
I always wanted to be a film composer. So very early on I started collecting soundtracks and paying attention to how movie music works. Actually I'd like to have the opportunity to conduct for the rest of my life.
I'd love to sign a contract for the soundtracks to every Wes Anderson movie, you know what I'm saying? Things like that, I have no spots on my conscience about.
Music scores your life. You interact with it. It becomes the soundtrack to that one summer with that one girl.
I'm not a super prolific creator, I don't make stuff everyday, and I don't have a soundtrack constantly playing in my head. I think I had years and years of pent-up aesthetic ideas that I wanted to express.
Music is one of those things that becomes a soundtrack to our lives.
I dont think Sugar Man is a music doc any more than The Social Network is about computers. It just happens to have the best soundtrack ever.
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