Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important.
It is time to put more cops on the beat and remove our most violent repeat offenders from our neighborhood streets.
The City of London and Wall Street are not going to be great places to be in the next two or three decades. It's going to be the people who produce real goods in charge – the farmers and the miners.
Everything that I saw became something to be made, and it had to be exactly as it was, with nothing added. It was a new freedom: there was no longer the need to compose. The subject was there already made, and I could take from everything. It all belonged to me: a glass roof of a factory, with its broken and patched panels, lines on a road map, a corner of a Braque painting, paper fragments in the street. It was all the same: anything goes.
If you see crazy coming, cross the street!
I remember one time I'm batting against the Dodgers in Milwaukee. They lead, 2 - 1, it's the bottom of the ninth, bases loaded, two out and the pitcher has a full count on me. I look over to the Dodger dugout and they're all in street clothes.
After working for 14 years on Wall Street and growing up in a family with strong roots in small business, I know how important the entrepreneurial spirit is to attaining the American dream.
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques.
As far as my street cred goes, I'll always have that, because I always hang with the kids. I'll jump right off the stage and buy them a beer. I'll be a star on stage, but I'll always hang with the kids.
Wedlock: the deep, deep peace of the double bed after the hurly-burly of the chaise longue.It doesn't matter what you do in the bedroom as long as you don't do it in the street and frighten the horses.
In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by.
I hate fashion. Or the word fashion, which sounds colorful, extravagant, expensive and gorgeous. “I never wanted to walk the main street of fashion. I have been walking the sidewalks of fashion from the beginning, so I’m a bit dark.
I thought instead of a good rule for survival on Wall Street: Never agree to anything proposed on someone else's boat or you'll regret in in the morning.
I am not man or beast; I am bibliosexual, and a seedy bibliosexual who haunts the streets, laden with carrier bags held by blistered fingers, stooping under the weight of the rucksack that has brought on sciatica and a Dickensian demeanour.
If I had my wilderness, nature could be my lover. What can I do in the paved streets for my thirsty roots? I waste time. I encourage fools. I slip the vital hours into penny slot machines -- to pass time, to start my stuck wheels only love can oil.
I went to the Paradise Restaurant on 49th Street and Broadway which was where they were playing, and I sat in.
Help the man-in-the-street make sense of the bewildering.
You'd find out more truth by just walking down the street with a musical instrument than by looking at any of the news outlets.
Hill Street Blues gave me an opportunity to work with an ensemble cast of people whose work I admired.
If you can smell the street by looking at the photo, it's a street photograph
After the war, there was no industry. We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.
The most important fact about our shopping malls, as distinct from the ordinary shopping centers where we go for our groceries, is that we do not need most of what they sell, not even for our pleasure or entertainment, not really even for a sensation of luxury. Little in them is essential to our survival, our work, or our play, and the same is true of the boutiques that multiply on our streets.
Sirens wailed; the revolution had come to Harrisonville. Blood was flowing on Pearl Street.
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