I think that probably the - I don't give quotes to studios. They have to get those out of the paper or from television. So they wouldn't have had my quote opening day.
Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.
Actors dread working with studios because they dictate what you do in a way that independent movies can't.
I do love being in my studio. Especially at night.
Oh. A bigger studio. It dawns on me, stupid me, that Henry could win the lottery at any time at all; that he has never bothered to do so because it's not normal; that he has decided to set aside his fanatical dedication to living like a normal person so I can have a studio big enough to roller-skate across; that I am being an ingrate. "Clare? Earth to Clare..." "Thank you," I say, too abruptly.
He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle.
I never touch sugar, cheese, bread... I only like what I'm allowed to like. I'm beyond temptation. There is no weakness. When I see tons of food in the studio, for us and for everybody, for me it's as if this stuff was made out of plastic. The idea doesn't even enter my mind that a human being could put that into their mouth. I'm like the animals in the forest. They don't touch what they cannot eat.
In each studio there is a human being dressed in the full regalia of his myth fearing to expore a vulnerable opening, spreading not his charms but his defences, plotting to disrobe, somewhere along the night-- his body without the aperture of the heart or his heart with a door closed to his body. thus keeping one compartment for refuge, one uninvaded cell.
Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that’s the job I do.
You may wonder which came first: the skill or the hard work. But that's a moot point. The Zen master cleans his own studio. So should you.
When you start working, everybody is in your studio- the past, your friends, enemies, the art world, and above all, your own ideas- all are there. But as you continue painting, they start leaving, one by one, and you are left completely alone. Then, if you are lucky, even you leave.
Theodor Geisel (otherwise known as Dr. Seuss) spent his workdays ensconced in his private studio, the walls lined with sketches and drawings, in a bell-tower outside his La Jolla, California, house. Geisel was a much more quiet man than his jocular rhymes suggest. He rarely ventured out in public to meet his young readership, fretting that kids would expect a merry, outspoken, Cat in the Hat–like figure, and would be disappointed with his reserved personality. “In mass, [children] terrify me,” he admitted.
He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.
Normal and I parted ways when Pateir1ch strolled into my life. Patch has seven inches on me, operates on cold, hard logic, moves like smoke, and lives alone in a supersecret, superswanky studio beneath Delphic Amusement Park. The sound of his voice, low and sexy, can melt my heart in three seconds flat. He’s also a fallen angel, kicked out of heaven for his flexibility when it comes to following rules. I personally believe Patch scared the pants off normal, and it took off running for the far side of the world.
Did you get Mom a birthday present?" Helen asked. "Yes," Gansey replied. "Myself." "The gift that keeps on giving." "I don't think that minor children are required to get gifts for their parents. I'm a dependent. That's the definition of dependent, is it not?" "You, a dependent!" his sister said, and laughed. "You haven't been a dependent since you were four. You went straight from kindergarten to old man with a studio apartment.
On their best days, writers all over the world are winning Pulitzers, all alone in their studios, with no one watching.
The free, creative, loving people who shine so brightly in my memory of studios and coffee shops have become models for a huge section of the population. If they in turn can just stay alive in the face of power and terror, they may become the decisive section.
My friends and I had taken dancing lessons, although none of us would ever admit it. In those depression days, a friend of my mother was trying to make a living by teaching dancing in the evening, in an upstairs dance studio. There was a back door to the place, and she arranged it so the young men could come up through the back way without being seen.
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
Yo get a real job. Rappin doesn't pay the rent, I hate the studio cause that's where all my money went.
Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.
I'm used to going into the studio and smoking and drinking until three in the morning. But I can't drink as much because I'm breastfeeding. See this glass of wine? Before, I'd have, like, four of them. Now, one is good. Oh, and I quit smoking. . . I've exorcised a lot of my demons, but I'm still working on myself. I think I'll be a work in progress for the rest of my life.
Monet's garden must be included with his works, because he combined the magic of an adaptation of nature with the work of a painter of light. An extension of the studio into the openair, with color tones lavishly spread out on all sides to exercise the eye with seductive vibrations, from which a feverishly aroused retina expects unquenchable joy.
I thought 'Borat' was a breakthrough comedy, because it was really funny. It wasn't some studio-produced script with 14 writers.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
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