I've had a beard a fair few times and, like most guys, when I shave the beard off I experiment with a few different facial hair styles on the way down to clean shaven. But I've never actually had a moustache for any longer than about 10-15 minutes - during the process of shaving off the beard.
I wanted to feel good about the way I looked. I didn't understand why style had to be sacrificed for sports technology. I found when going to the gym women were wearing their own tees, without the technology. I started to think, does it make you run faster if you wear that terrible color or sweat less if you wear that horrible fabric? And I challenged it, and the answers were not there to why we were being given poor design work. It was something I wanted to bring to women's wardrobes.
I don't believe you can buy style. Money won't make you look good.
I think the tendency to paint composers or styles of music with too broad a brush - for example, identifying composers as writers of "simple" or "complex" music - has become increasingly problematic and is almost never productive.
The Catholic Church had strict racial attitudes and intolerance for anybody who was not Catholic. When I look at a lot of Black ministers and what went on in the Black church, I was more caught up with those who were in Cadillacs and shiny suits than I was with those who were Kingian in their style.
I think America offers a dream that cannot be fulfilled as easily anywhere else in the world as it could be fulfilled here. Although oppression was common to all of us, those styles of oppression gave us the opportunity to see the world in dimensions we didn't quite see growing up in any one place.
Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.
Place yourself in the background; write in a way that comes naturally; work from a suitable design; write with nouns and verbs; do not overwrite; do not overstate; avoid the use of qualifiers; do not affect a breezy style; use orthodox spelling; do not explain too much; avoid fancy words; do not take shortcuts as the cost of clarity; prefer the standard to the offbeat; make sure the reader knows who is speaking; do not use dialect; revise and rewrite.
Leaders develop their styles as they interact with their constituencies. They move toward the style that seems most effective in dealing with the mixture of elements that make up their constituencies.
The ablest and most effective leaders do not hold to a single style; they may be highly supportive in personal relations when that is needed, yet capable of a quick, authoritative decision when the situation requires it.
As soon as you're interested in what is good taste, then you're in bad taste land already. What's comfortable and what represents your life, what's unique and individual about you, that's style.
When friends enter a home, they sense its personality and character, the family's style of living - these elements make a house come alive with a sense of identity, a sense of energy, enthusiasm, and warmth , declaring: "This is how we are; this is how we live."
The secret to freestyling is working on the creation of thought and it being expressed from your cerebral cortex, to the air in your lungs, to your larynx, pharynx, to your tongue to form a word via whatever consonants and vowels you're working with as well as having a sense of style, cadence, and rhythm.
Don't worry about trying to develop a style. Style is what you can't help doing. If you write enough, you draw enough, you'll have a style, whether you want it or not. Don't worry about whether you're "commercial". Tell your own stories, draw your own pictures. Let other people follow you.
Fashion is what you're offered four times a year. Style is what you pick out of that fashion...
Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.
If you're going to go for 'it' you have a common thing you share with other artists; that's desperation. You jump out a window style-wise. Try to put it together before you hit the ground.
The voice of painterly integrity spoke to me. And the idea was that one would find this anguish, or whatever, and construct it into images that would appear. You already feel very ill and you're trying to put this riddle together because it is the prescription for health. I believe in art as a spiritual health-giving process, not just some style.
U.S. wrestling is more of a scrambling style where guys take a lot of risks. You could watch a match in the states and see a score of 18-12. There is going to be a lot of action, transitions and guys going back and forth and trading points.
The best thing that could've happened to me was that I learned a lot in Vegas, but I didn't know how to implement it. Whenever I came to Texas, all we had was Marc Laimon, jiu-jitsu coach. We didn't have a striking coach. So me and him started to just develop our own game, because he knows nothing about striking. We sat down and we sort of found my style. I think that was the best thing that could've happened to me.
My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.
All the athletes are individuals. This isn't a team sport. We all have our own styles, our own clothing preferences and our own way of doing things. That's the way I do things and I'm proud of it.
You look at William Powell in 'My Man Godfrey' and he's a butler in that and he's very dapper. He's a very refined gentleman. I liked playing around with that, with the good posture and a style, a panache, and a way of moving about the room.
I don't consider myself to have a style or anything, I just do what I like to do and I try to do it best!
I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made. Almost no new classics resemble other previous classics. At first people see only the awkwardness. Then they are not so perceptible. When they show so very awkwardly people think these awkwardnesses are the style and many copy them. This is regrettable.
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