Love is an overarching style of relating to another.
Definitely the biggest misconception is that it is overly burdensome to be a woman and pursue this line of work. But being a woman gives me a unique perspective and style, which is probably why I get the work that I do.
In order to arrive at a personal style, you have to have a technique to begin with.
If you don't have a basis on which to make the choice, then you don't have a style at all. You have a series of accidents.
Other people have other goals, and sometimes the BSD style licenses are better for those goals. I personally tend to prefer the GPL, but that really doesn't mean that the GPL is any way inherently superior - it depends on what you want the license to do.
From the early days of the telegraph, to be a telegrapher was a job, and there weren't many of those folks. They could recognize each other's style by their dots and dashes.
I honestly never sat down and said "OK, here's my style," because my whole thing was knowing everyone's style. Everything I've ever written has bits and pieces of everything I've ever heard. Any rapper that tells you different is a liar.
I think an editing style is something that is ascribed to the work after-the-fact. I don't think you go in with a particular intention, but I think if there is an integrity to the work and the material you are working with, the work comes from the nature of that material.
I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.
I like adding little elements into the final mix. I'm more fond of the '70s glam than '80s. I have that style of vocals... there are a lot of pop artists who are using the glam vibe in their music. I'm part of that wave.
Musically, I want to graduate and become one of the greatest. You can't do that just spitting punchlines. I respect those people who say they love that old style, but it would be greedy of them to want me to stay that same person.
Shakespearean words, foreign words, slang and dialect and made-up phrases from kids on the street corner: English has room for them all. And writers - not just literary writers, but popular writers as well - breathe air into English and keep it lively by making it their own, not by adhering to some style manual that gets handed out to college Freshmen in a composition class.
I had too many businesses that are frivolous. I have enough. What interests me most is under-served communities. We need a new style of empowering these people, and new approaches.
You make that climb, take it step by step and hopefully the view is great. I try to be a friend for Miley. I know that's not everyone's parenting style. But I try to be a friend, a partner as a singer, actor, songwriter and let her be a teenage girl and do her thing.
It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience.
I've been singing my whole life, since I was a kid; but never formally as a career. I did it in plays when I was younger, and I sang all styles of music: everything from Italian opera to blues.
Styles come and go, design goes on forever: solving communication problems with new tools applied to the same old common sense.
All literary style, especially national style, is made up of such coincidences, which are a spiritual sort of puns. That is why style is untranslatable.
Style is the feather in the arrow, not the feather in the cap.
The old style hypocrite was a person who tried to appear better than he actually was; the new style hypocrite tries to appear worse than he or she is.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
American-style iced tea is the perfect drink for a hot
Style is engineering that gives you freedom.
Style is effectiveness of assertion.
Consistent style prevents presentation from getting in the way of content.
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