Of metaphors, those generally conduce most to energy or vivacity of style which illustrate an intellectual by a sensible object.
The censure of frequent and long parentheses has led writers into the preposterous expedient of leaving out the marks by which they are indicated. It is no cure to a lame man to take away his crutches.
The first requisite of style, not only in rhetoric, but in all compositions, is perspicuity.
Let us not write at a loose rambling rate, in hope the world will wink at all our faults.
You gain your point if your industrious art can make unusual words easy.
Sometimes among our more sophisticated, self-styled intellectuals--and I say self-styled advisedly; the real intellectual I am notsure would ever feel this way--some of them are more concerned with appearance than they are with achievement. They are more concerned with style then they are with mortar, brick and concrete. They are more concerned with trivia and the superficial than they are with the things that have really built America.
One should have wit, but not wish to have it; otherwise there will be witticism, the Alexandrian style of wit.
There are ancient and modern poems which breathe, in their entirety and in every detail, the divine breath of irony. In such poemsthere lives a real transcendental buffoonery. Their interior is permeated by the mood which surveys everything and rises infinitely above everything limited, even above the poet's own art, virtue, and genius; and their exterior form by the histrionic style of an ordinary good Italian buffo.
When you look on one of your contemporary 'good copies' of historical remains, ask yourself the question: Not what style, but in what civilization is this building? And the absurdity, vulgarity, anachronism and solecism of the modern structure will be revealed to you in a most startling fashion.
Surely it is one of the requisites of a tasteful garb that the expression of effort to please shall be wanting in it; that the mysteries of the toilet shall not be suggested by it; that the steps to its completion shall be knocked away like the sculptor's ladder from the statue, and the mental force expended upon it be swept away out of sight like the chips on the studio floor.
It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.
Translate a book a dozen times from one language to another, and what becomes of its style? Most books would be worn out and disappear in this ordeal. The pen which wrote it is soon destroyed, but the poem survives.
Every poet depends upon generations who wrote in his native tongue; he inherits styles and forms elaborated by those who lived before him. At the same time, though, he feels that those old means of expression are not adequate to his own experience.
Needed are...[souls] filled with compassion, that we might communicate not only eye to eye, or voice to ear, but in the majestic style of the Savior, even heart to heart.
We find that even the parents who justify spanking to themselves are defensive and embarrassed about it....I suspect that deep inthe memory of every parent are the feelings that had attended his own childhood spankings, the feelings of humiliation, of helplessness, of submission through fear. The parent who finds himself spanking his own child cannot dispel the ghosts of his own childhood.
The graphic style itself is influenced by a lot of very layered and detailed comics that I read as a kid, like Vagabond by Takehiko Inoue.
Sometimes the last thing learners need is for their preferred learning style to be affirmed. Agreeing to let people learn only in a way that feels comfortable and familiar can restrict seriously their chance for development.
(Al) Lopez is a great believer in speed and hustle, in the go-go style of baseball. No other manager is so determined a foe of stodgy baseball, lack of hustle and slipshod practices and so powerful an advocate of the unexpected.
In all unimportant matters, style, not sincerity, is the essential. In all important matters, style, not sincerity, is the essential.
Boni de Castellane drawing his chins onto his chest; shiny boots, embroidered morning coat, white gloves with black piping, big tie, light vest, the overwashed, bleached impression - 'blanched' as cooks say of boiled vegetables. That was the opposite of a dandy whose stylishness would remain imperceptible to Americans. Boni's style was highly visible.
Since I do seven different styles of martial arts, I don't foresee myself fighting the same in any two movies. I think every fighting style should fit the character that's doing the fighting.
Everything in dancing is style, allusion, the essence of many thoughts and feelings. The abstraction of many moments.
In relations with people, as in art, if you always stick to style, manners, and what will work, and you're never caught off guard, then some beautiful experiences never happen.
For an electric guitarist to solo effectively on an acoustic guitar you need to develop tricks to avoid the expectation of sustain that comes from playing electrics. Try cascades, for example. Drop arpeggios over open strings, and let the open strings sing as you pick with your fingers. It's kind of a country style of playing, but it works very well in-between heavily strummed parts and fingered lead lines.
Every artist who evolves a style does so from illusive elements that inhabit his or her visual storehouse.
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