I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
It's very rare that I ever go and research a particular subject. Mostly I do serendipitous research, I read stuff, things spinning out of the page.
I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language.
Why do people argue? Even the wisest of men have not found God through argument! Is God a subject for argument?
I think that the gifts of the spirit are always subject to the control of the person who's exercising them. You're not forced in to doing it. Love never forces. And therefore 'the spirit of the prophet is subject to the prophet' is another way it is put. You don't suddenly find yourself taken over by a spirit and find yourself speaking tongues. You're in control, but it's a gift. You can stop and start as you please, but it's a way of communicating with God.
When we are mindful of every nuance of our natural world, we finally get the picture: that we are only given one dazzling moment of life here on Earth, and we must stand before that reality both humbled and elevated, subject to every law of our universe and grateful for our brief but intrinsic participation with it.
Ignorance breeds fear; the more you learn about your subject, the less fear it holds for you.
My favourite subject at school was avoiding unnecessary work.
The idea of space is given to the artist to change if he can. The subject matter in the abstract is space.
Gold and silver are no doubt subject to fluctuations, from the discovery of new and more abundant mines; but such discoveries are rare, and their effects, though powerful, are limited to periods of comparatively short duration.
I've opened my mouth on a lot of subjects. And I thought the more prestige you get, I'd have the power to do what I like. It's not true.
It is not the style but the quality and emotional impact of work that makes it marketable. Unless we make art that connects with people, we won't sell much, no matter what the style or subject.
By renouncing the Bible, philosophers swing from their moorings upon all moral subjects..It is the only correct map of the human heart that ever has been published.
And government (to define it de facto, or according to modern prudence) is an art whereby some man, or some few men, subject a city or a nation, and rule it according to his or their private interest; which, because the laws in such cases are made according to the interest of a man, or of some few families, may be said to be the empire of men, and not of laws.
Society is the offspring of leisure; and to acquire this forms the only rational motive for accumulating wealth, notwithstanding the cant that prevails on the subject of labor.
The character of the subject must influence the choice of the method of its representation.
Annoyance arises from the feared implication that we are copyists in subject or treatment, or both, whereas the common qualities that establish the relationship result merely from a similarity of method.
While it is emotion that gives an impulse to the landscape painter, it is his style that inspires the critic's praise, and his subject that inveigles the untutored beholder.
Subject has the variety of life.
To decide to reach for this blue and not that one, to switch styles or subject matter, to move, in the middle of a sentence, in one direction or another, to commit to this book when that one is also calling, are the sorts of choices that artists must make if they are to function.
I do wish that people talked about the subject of race, especially in the South.
I simply like the monumentality of the subjects - the opportunity for metaphor and the varied light that comes with high altitudes.
Exploit a subject or a theme to its greatest potential by bringing all possible reference to bear - then put aside the reference and create again using the potential of your unfettered imagination.
When shucked and released from its edges, the windowless subject stands alone as its own thing.
Whenever I can, I paint the powerful and obvious things in my subject first.
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