I would advise my young colleagues, the composers of symphonies, to drop in sometimes at the kindergarten, too. It is there that it is decided whether there will be anybody to understand their works in twenty years time.
As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano.
Way back in the old days, say in Europe of the Middle Ages, you had an aristocracy, and they could afford to pay for musicians. The kings and queens had musicians in the castles, and that developed into symphony orchestras and what we call "Classical music" now.
Empires fall, ids explode, great symphonies are written, and behind all of it is a single instinct that demands satisfaction.
I would think, of all the saxophones, the baritone would be the most logical instrument if anybody was adding a voice to the symphony orchestra.
Revolution is only truly revolution if it is a continuous struggle-not just an external struggle against an enemy, but an inner struggle, fighting and subduing all negative aspects which hinder or do damage to the course of the revolution. In this light, revolution is ... a mighty symphony of victory over the enemy and over oneself.
The point of recapitulation in the first movement of the Ninth [Symphony of Beethoven] is one of the most horrifying moments in music, as the carefully prepared cadence is frustrated, damming up energy which finally explodes in the throttling, murderous rage of a rapist incapable of attaining release.
Why are numbers beautiful? It’s like asking why is Beethoven’s Ninth Symphony beautiful. If you don’t see why, someone can’t tell you. I know numbers are beautiful. If they aren’t beautiful, nothing is.
Although, I am proud of all my Symphonies as they all have something special to say, my particular favourite is the Fifth. As the great Mahler expert Donald Mitchell said that if Mahler had written another Symphony, it would have been my Fifth!
In truth, I became a conductor because deep down I wanted to conduct Brahmss four symphonies and Richard Strausss tone poems.
I hear the wind among the trees Playing the celestial symphonies; I see the branches downward bent, Like keys of some great instrument.
Our biological rhythms are the symphony of the cosmos.
The joy of working with the Chicago Symphony was immeasureable.
Every couple weeks I'll listen to Sibelius's Seventh Symphony, just to check in, to see how it's doing. It's doing OK.
I attempt to compose symphonies, although it is clear to me that logically it is pointless.
I used to think that running an organization was equivalent to conducting a symphony orchestra. But I don't think that's quite it; it's more like jazz. There is more improvisation.
Whenever we would prepare the mind by a forcible appeal, an opening quotation is a symphony preluding on the chords whose tones we are about to harmonize.
I grew up a Red Sox fan. I grew up going to Fenway Park and the Museum of Fine Arts and the Science Museum and Symphony Hall and going to the Common, walking around. My whole family at different times lived and worked in Boston.
If we turn to the divine Conductor and follow the wise and loving baton that is His will, His Word, then the music of our life will be a symphony.
He wanted us to play whatever we played in the most characteristic and appropriate style. Even it was the theme from 'The Godfather,' you needed to play that then the way that a Hollywood producer would expect it to be played. Whether it was that or the posthorn solo from Mahler's Symphony No. 3, he would expect that to be played in the way that Leonard Bernstein wanted to hear it. In retrospect, I think it was a sensational way to teach this particular group of students. By the time you graduated you could absolutely read anything with any trumpet.
A young man, just beginning the study of musical composition, once went to Mozart and asked him the formula for developing the theme of a symphony. Mozart suggested that a symphony was rather an ambitious project for a beginner: perhaps the young man might better try his hand at something simpler first. "But you were writing symphonies when you were my age." the student protested. "Yes, but I didn't have to ask how."
Karen rowed for what the venerable American shell builder George Pocock called `the symphony of motion.' As dawn breaks over the river, the shell is lifted from its rack out into the morning. On another rack the oars hang ready to be greased and slipped into the locks. Then, awakened to the river and the feel of the oars, the oarsmen blend in fulfillment of the shell. The symphony is not of competition. It is the synchronous motion over water, the harmonic flexing of wood and muscle, where each piece of equipment and every oarsman is both essential to, and the limit of motion itself.
During a rehearsal of Beethoven's Ninth Symphony the members of the orchestra were so overwhelmingly moved by the conducting of Arturo Toscanini that they rose as one man and applauded him. When the spontaneous cheering has subsided, Toscanini turned to his men, tears glistening in his eyes. "Please . . . please! Don't do this! You see, gentlemen, it isn't me you should applaud. It's Beethoven!"
In a purely technical sense, each species of higher organism-beetle, moss, and so forth, is richer in information than a Caravaggio painting, Mozart symphony, or any other great work of art.
So long as we refuse to include lottery tickets among the symphonies, or medical bulletins among the overtures, we must refrain from treating the emotions as an aesthetic monopoly of music in general or a certain piece of music in particular.
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