I really don't like going out anymore. I used to love it, but now it's not fun. I'd rather have friends come over and hot have to worry about crazy people taking pictures.
I still love taking pictures with Polaroid film. For me, it offers the most beautiful way of capturing reality and transferring it onto a flat piece of paper.
When you do bigger jobs there's more attention and when you film in New York you get loads of paparazzi everywhere. It affects your work because you're trying to think about the person you're acting with and you've got 20 other lenses taking pictures of you at the same time, and it throws you.
The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.
People were like, 'Oh, there are going to be people running up to you taking pictures' and I thought it was going to be a bunch of little kids. But it's grown-ups! And that's, like, creepy.
It was 1966 by the time I started taking pictures seriously and books, newspapers and magazines of the time were full of great pictures that helped to inspire me.
They were taking pictures and everything. When we got down off the plane, the minute Elvis made his appearance at the door of the plane, the screaming got even worse.
Working alone on stories, I began to feel the anonymity of motels on interstate highways reached by jet planes and rental cars. It was hard to have a good time, and the only way I could make the loneliness excusable was by taking pictures I thought were very good, even valuable.
Like most people - unless they're very practised at it or have no warm blood at all in their veins - I feel a little apprehensive about the red carpet. It's always a bit bewildering when people are taking pictures and asking questions before the ceremony.
The having of the ideas is quite otherworldly. And then the making of the art itself is quite scientific. It's a combination. L Doing figurative work or taking pictures, and looking at how light actually reflects and refracts on bodies, or how your perception of something changes based on distance. But I think the getting of the ideas, and having that space to just have the ideas, is otherworldly, and requires a clear mind.
I get really restless when I haven't worked for a day and a half. I have a recurring dream that people are lined up next to my bed, waiting for autographs and taking pictures of me!
At the other end of the room, Grandma had the lid up on Larry Lipinski. She was standing one foot on a folding chair, one foot on the edge of the casket, and she was taking pictures with a disposable camera.
I'm taking pictures in my mind so i can save them for a rainy day.
George Clooney and Fabio apparently got into a scuffle at a restaurant in Los Angeles over the weekend. George thought the women with Fabio were taking pictures of him. How embarrassed is George Clooney to be in a fight with Fabio? Who is he going to call out next, Lorenzo Lamas?
And that desire-the strong desire to take pictures-is important. It borders on a need, based on a habit: the habit of seeing. Whether working or not, photographers are looking, seeing, and thinking about what they see, a habit that is both a pleasure and a problem, for we seldom capture in a single photograph the full expression of what we see and feel. It is the hope that we might express ourselves fully-and the evidence that other photographers have done so-that keep us taking pictures.
It seems positively unnatural to travel without taking a camera along... The very activity of taking pictures is soothing and assuages general feelings of disorientation that are likely to be exacerbated by travel.
It's lame when I'm hanging out with my friends and they're so busy taking pictures to put on Facebook, instead of enjoying what they're doing. You're gonna look back and have 10 million pictures, but you're not in one of them because you were too busy clicking away. I think it's best to stop telling people about it and enjoy the moment you're in yourself.
I was an amateur - I am an amateur - and I intend to stay an amateur. To me an amateur photographer is one who is in love with taking pictures, a free soul who can photograph what he likes and who likes what he photographs.
I actually love talking about taking pictures, and I think that helps everyone.
I'm a big fan of Henri Cartier-Bresson, the French photographer who had that whole "decisive moment" approach to taking pictures, of having multiple elements line up within the frame.
The advantage of taking pictures of the famous is that they get published.
When the novice photographer starts taking pictures, he carries his camera about and shoots everything that interests him. There comes a time when he must crystallize his ideas and set off in an particular direction. He must learn that shooting for the sake of shooting is dull and unprofitable.
Sometimes without shooting a picture germinates in your head. Other times, you keep taking pictures of the same thing and watch the images mature and grow.
The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!
I began taking pictures in the natural world to be able to show people what I was experiencing when I climbed and explored in Yosemite in the High Sierra.
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