When you're watching television, you don't want to watch a show where everything just works out. You don't want to see a relationship that's just blossoming and everyone's happy and sunshine and roses all the time. That's also not true in life.
I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
Have four things going. I have stand-up comedy, two television shows and I'm working on a play. I like to work, and I fear that something could fall through. You know what they say: 'The show must go off.
My dad is a successful television producer, director and writer and my mom's a director and writer.
Networks decide who will have a chance to do shows, but it is the viewers who make the final decision of who stays and who goes. I am very fortunate, in that the television viewers of our country have decided that Bob Barker can stay.
I humbly apologise for reality Television.
But reality television is here to stay.
The Corporation for Public Broadcasting distributes an annual appropriation that we provide in accordance with a statutory formula, the vast majority of which goes directly to public radio and television stations.
The mass media in the days of newspapers and television it's hard to be able to find a story that's about just what you're interested in at the time you're interested in it.
Any kid that feels like they don't have any kind of future, whether they're on a street corner in Harlem or in a little town in Kansas where nothing happens, it's all out there for them. They can do whatever they dream or wish or see on television, or read about in the papers.
We film in front of a live audience, and I was a theater actor before I got into television, so I like that.
I would love to do more movies, but the reality is women have many more opportunities on television to play a greater variety of characters.
For a long time I did not want to do television because I did not want to get stuck playing the same person. I wanted the ongoing challenge of a variety of roles.
But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.
Sometimes the intensity and the grind of doing television can wear you down, but at the same time there's something about the repetition, the sheer mass of work that you do that's also liberating.
My fantasy for children's television is that it's not really children's television, it's everybody's television.
When I first started acting, I had all these ideals about the kinds of roles I wanted to play, but the reality is that when you do television - and I do a lot of television - you get cast for qualities that you have as a person. So I look for qualities that I like to portray.
I don't want to do television. A TV show sitcom? I don't even watch TV.
I think a lot of people just assumed I came to L.A. to do more television and get into show business.
Party of Five" won a Golden Globe, it was a well-written television series.
It's all good fun - television and movies and so on - but the good thing in theatre is there's nothing and no one between you and the audience so you can do what you want really.
There are so many people in film and television that get between a performer and the audience, and that's frustrating.
My experience as a young actor on network television was that I couldn't make it work. I was drowning as an actor.
Just because you're a star on television doesn't mean that you can be a music phenomenon or an artist. You have to have the material to back it, and it's all about hit songs. I can name you every "Idol" winner and why they didn't go on to have success - their songs. The ones who have - their songs.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it.
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