In all honesty, I've written movies that have been made, and the process has not been as satisfying as writing for television.
TV is where writers get to tell interesting stories. Because writers, for the most part, run television.
I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.
It's easy for people to mistake most musicians as living the easy life. It takes a while to get to that point. I'm sure it's like that for acting and television.
Spending more time with friends and family costs nothing. Nor does walking, cooking, meditating, making love, reading or eating dinner at the table instead of in front of the television. Simply resisting the urge to hurry is free.
What do I need a movie for? The stage is on a higher level in every way, and a more satisfying medium. Movies, by comparison, are like calendar art next to great paintings. You can't really do very much in movies or in television, but the stage is such an anarchistic medium.
I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
You know, as somebody who writes op-eds and appears on the television, I appreciate as well as anybody that…there is a limit to what that accomplishes.
I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.
I've always said, the key organ here isn't the brain, it's the stomach. When things start to decline - there are bad headlines in the papers and on television - will you have the stomach for the market volatility and the broad-based pessimism that tends to come with it?
To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?
I would say my being disheartened has more to do with American culture than anything else. We are becoming a very shallow culture. My goodness, the celebrity ethos has taken over completely. Turn on the television and you see that over and over. There's very little substance. And so, everything gets shorter. Everything is entertainment oriented. Our churches reflect that. A thirty-five minute sermon without a Power Point or video clips is rare these days. That's not true in other countries so much.
I make no apology for preoccupying myself with architecture, television, conceptual art, restaurants and Jane Asher's cakes.
I remember one of the legendary German broadcasters saying, "Germany's future is America's present," and it really was that with the penetration of television.
I don't even do anything in real life. I just sit in my studio and write, I call my friends, I watch television. I don't do anything.
We're not a media company. We don't own media. We don't own music. We don't own films or television. We're not a media company. We're just Apple.
Quite often I'll turn on the television and something like Sound of Music will be on or Victor/Victoria and I might watch a moment or two. But I don't actually sit down and say I'm going to watch one of my movies.
In real life I'm not the character I play in my films. I'm reasonably competent, I work very hard, I'm disciplined, I lead a very middle class life. I work in the mornings, I have lunch, I practise my clarinet, I go to the movies, I eat out in restaurants or watch ball games on television or at the ball games.
You get to that age where you're watching a lot of television, and who doesn't want to be on television?
Apart from the seemingly magical Internet, life in broad material terms isn't so different from what it was in 1953... The wonders portrayed in 'The Jetsons,' the space-age television cartoon from the 1960s, have not come to pass... Life is better and we have more stuff, but the pace of change has slowed down.
Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.
I enjoyed acting growing up; I did musical theater. I had a secret desire to be a television and movie actress, but it wasn't something I admitted to myself that I wanted to do, I guess.
I joke that I learned the essentials of storytelling from Hanna-Barbera, but I pretty much did. That kind of television is what enamored me as a kid, and that's what really got me hooked. You could say that's where it all began.
Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule
When I was 9, I saw a wrestler on television named Gorgeous George. He said, "I'm beautiful. I'm so pretty that if a sucker touches my face, I'll kill him. If he messes with my hair, I'll pummel him." I said to myself, "That's a good idea. I am the greatest, I'm pretty." And then I took it a little further than he did.
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