If life is a soap opera you shouldn't be in too much of a hurry to get to the final credits.
I think when you sit alone with your brain too much, your own brain starts to rebel against you.
Everybody I've ever met was destroyed by a member of the opposite sex early on and that damage you took into every relationship after that, everybody. Every woman in here got intimidated by a guy, pushed around too much, now you're new boyfriend tickles you a little too hard, boom restraining order. Every guy here had a woman sleep with his best friend, now your new girlfriend hugs your cousin a little long, boom car bomb.
This country you're sitting in right now was not built on love, hugs, time-outs and trophies you didn't earn. This country was built on shame, humiliation and striving to be better. By the way, if you're in this room right now and you're successful... you didn't get there because someone loved you too much or gave you too many hugs or you got a trophy when you lost. You did it because at one point in your life, somebody turned to you and said you're a loser, and in that second, you decided to bust your ass to make them choke on that sentence... Or, your parents gave you the money.
I can feel how an audience is reacting when I'm on a stage, but when you are on stage, your perception is distorted. That's something you just have to know. It's like pilots that fly at high Gs and they lose, sometimes, consciousness and hand/eye coordination and they just have to know that that's going to happen. They have to be trained to not try to do too much while they are doing that. So when you are on stage, you have to be aware that you are wrong about how it feels a lot of times.
How do I ask my shrink to stop responding to everything I say with, Too much information! and then giggling behind a pillow?
Long ago you may have given up control of your brain and set it on autopilot either because it just felt like too much work. And it is work! But for me, this work was well worth it for the prospect of not waking up sad every day.
I'm writing songs that connect to millions of people. And that happens for a reason. I don't really worry too much about people who aren't into it because that's the beauty of music. It's subjective. If every single person in the world loved our music, then that'd be weird.
If you care too much about what other people think, you will always be their prisoner. Lao Tzu
No. It is not acceptable that the 6 largest financial institutions in this country have assets of almost 10 trillion dollars, and issue half of the mortgages and two-thirds of the credit cards. That is too much wealth and power in the hands of a few. If Teddy Roosevelt were alive today he'd tell us to 'break them up.' And he'd be right. These huge banks must be broken up.
Lots of the bands [in New Orleans] couldn't read too much music. So they used a fiddle to play the lead - a fiddle player could read - and that was to give them some protection.
I have never consciously exploited the fact that I am a woman. I wouldn't dare try that even if I knew how to. I have too much respect for my male colleagues to think they would be particualrly impressed.
I was brought up as a Catholic, and I'm no longer a Catholic. I don't talk about my beliefs too much in public probably because I feel very strongly that it's something personal - more than personal, it's private.
I really don't worry too much about what I see through the viewfinder, at least not at that point, especially if I'm using a flash because I don't know what it's going to do. I just see vague potentiality. It's really working with a set of attributes that will hopefully interact in an interesting way.
I do my work. My work is my statement. Generally, I think, there is too much interest in what an artist has to say. Or what she or he looks like, instead of what she or he does.
If I stage things too much and nothing changes in the act of photographing, then I might as well have not taken the picture: If the whole thing already exists in my head, then I haven't learned anything. The tension lies between the staging and the unpredictability.
I believe photography is about choosing to live, being brave. Looking is an act of courage. It's terrifying. It's possible to see too much, to witness things that we cannot hold.
I always used to say to my ex-girlfriends that I could never take a good photograph of them, because there was too much of an intimacy between us, but actually the real thing is, if there's a proper intimacy between you... I find it really compelling and exciting - it's quite good foreplay.
The only thing I can hope the viewer will get from the work is something about the structure of the work. It would be asking too much, I think, for them to get my exact intention. But if - through the construct of language, the way things are juxtaposed - there is some sort of disruption of the way you would normally go about reaching photographic images... if that is happening, that's fine.
Photographers do themselves a disservice by talking too much about the equipment they use. Consequently people don't take them seriously as creators in their own right. When people talk to writers about their work, they ask about their ideas and inspirations. When they talk to photographers, they ask about what cameras or film they use. That's wrong - as wrong as asking a writer what pencil and laptop he uses.
Too much of anything is the beginning of a mess.
If I'd married someone in show business, there'd be too much competition.
To ask for overt renunciation of a cherished doctrine is to expect too much of human nature. Men do not repudiate the doctrines and dogmas to which they have sworn their loyalty. Instead they rationalize, revise, and re-interpret them to meet new needs and new circumstances, all the while protesting that their heresy is the purest orthodoxy.
Penalties put too much strain on one player. It could ruin his career if he's not a strong character.
I never got into The Jetsons too much.
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