There's not usually one reason why we do anything and, in fact, often we don't know why we've done what we've done, especially what we have said or why, for instance, in conversation, which can be very tricky. Finally, we say something and think, "Why did we say that?" In retrospect we might know.
I think titles are tricky because they're like a really short ad for the book. And like an ad, they should open the door in a way that might be more accessible than the book itself. So I always like titles to be familiar. I'm not trying to break ground with the title itself. The title should feel like something already celebrated.
Accessible music is much harder. I could throw out the other kind of albums with my eyes closed. I wouldn't belittle those who want to do the Tricky thing, but it does make me wonder sometimes.
Ideally, as parents we'd have unlimited energy, the ability to manage tricky emotions like fear and anger, vast stores of wisdom to answer complicated but important questions, love that never grows tired, patience that never ends... Every parent would like to have all of these, but God alone possesses them fully. Parenting reminded me of what I lacked more than it ever made me feel equipped. But there's a spiritual purpose in that!
Owning your curves means being confident - actually being confident - in your own skin. Growing up was tricky for me, it was so hard to shop with all of my friends and not being able to fit into the tiny clothes they were wearing.
If we can continue to come together and work on small things little by little, at least it's something. It's a start. At least now there's a lot more talk about climate change and the Earth's state than when I was a kid. I guess it's better late than never? But it's also very tricky because this is something that's so important to so many of us, and a lot of people don't see it that way. But hopefully, we can get all our points across to them - one by one, one person at a time.
Planning a career, I always find a tricky thing, because I don't have much of a plan, really.
Luckily, my limited attention span is well suited to the velocity of the news cycles. There's an assault of stories coming at you on even a slow-ish news day, but certain things just tend to stick out. Certain stories just seem to have an odd sort of electricity. It does get tricky when you're pitching an image that won't hit the newsstands for another week. Not only can other, bigger stories break in the mean time, but other daily cartoonists, can also come up with the same idea - this is the most depressing thing - and put it out there so yours looks old by the time it's published.
Working with Roman Polanski is funny. It's like anything in life - someone warns you that something's going to be amazing or difficult or awful, and you say, "I can do that. I can cope with that." And then when you're in the middle of it, it may be joyful or tricky, but it's never difficult in the way you think it's going to be difficult.
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
Working in TV and navigating success is a tricky thing. It's easier to navigate the hard work of starting out because you just do anything they let you do, but once you get into an orbit, after the thrusters have pushed you into the orbit, now you have to navigate that orbit. There's no choices when you're starting out. You're just like, "Please, let me do anything." But then it turns around and it's like, "We'll let you do anything".
The American accent is a little bit tricky. We grew up with American TV shows, so we've had a lot of exposure to it and that helps, but there's little nuances and little details. Sometimes there'll be just a phrase or couple words that are really difficult to get your mouth around. At the end of every season we go over and revoice anything that has sound issues, including my kiwi accent coming out.
I'm really attracted to authors who take on really tricky material with a very open mind and take a subject matter that you wouldn't think would be a comedy.
The mind is so tricky. It will say, "No one cares. Is it true? Well, someone does. Let's see: So-and-so doesn't care. Well, maybe they do. Well, there is someone who doesn't care." It just shifts and shifts and shifts, so it can keep all of its concepts intact.
It's tricky with monologues, and I never like to use that word. Like I told the actors, you are talking to somebody; there is no such thing as a monologue.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
We try to make each situation specific to the person. At the beginning of the season, we come up with, like, 50 to 100 ideas, which we workshop and then we call around to see who is interested in doing something like that. Once we find the people, we make the bid specific to them. A lot of it is about where you can get people to go physically, which is a little tricky because most actors and musicians are kind of hermits-they like to stay in their houses.
I don't believe in tricky advertising, I don't believe in cute advertising, I don't believe in comic advertising. The people who perpetrate that kind of advertising never had to sell anything in their lives
When you're younger, it's hard because you're finding your identity, and then for 12 hours out of the day, you have to be a different person. So that's a tricky phase - as far as figuring who you are out and then figuring out the people that you're working with.
London audiences are tricky, too. They don't laugh as much as the Northern audiences because, and I hate to say this, they are a bit cleverer normally, and they are picking up on all the little details and listening more carefully.
I think there's a real problem if you're making a film - some people have done whether it be about Jackson Pollock or about Picasso - it's difficult for actors, because they have to impersonate a person whose image is very strong in our memories or in our consciousness. It's something that's very tricky, I think.
I think we filmed a lot of the recording and it would be nice to do something with it but you know, videos are tricky because we know how to make albums but I'm not very good at video editing .
It's likely that CO2 has some warming effect, but real proof of that hypothesis is tricky. You have to confirm by observation exactly how the CO2 changes the situation at different altitudes in the atmosphere and in different regions of the world. For example, CO2 is supposed to warm the upper air faster than the surface, but the measurements don't show that happening. When the CO2 effect is eventually pinned down, it will probably turn out to be weaker and much less worrisome than predicted by the global warming theorists.
My own idea about 3D is that it is there to enhance the viewing experience but I don't think that you have to use it in a tricky way, I think that the minute you sacrifice story and character for something coming out of the screen, I think you've lost it.
It's tricky turning a book into a movie. Sometimes people love the book so much that no adaptation lives up to what they imagined. You can avoid that disappointment by never, ever reading books.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: