It is tough, every time. The ensemble is great. I would always ask Andrew, "Is this how Hollywood is? Is this how every TV show and movie is?" And he was like, "No, dude. This is not. Do not get used to this. Be thankful that this is how your first gig is."
I push to be in good films and good TV shows. I don't really pick and choose. I pick and choose what I will read for, and I've gotten to the point where I'm being offered stuff.
When I did TV shows and my other movies, I never try to do it for anybody. I just do what I think is good no matter what the genre is.
Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.
It's much, much harder working on a show than it is working on a movie. It really is. Even if you're in production, that production lasts for a set period of time. A TV show goes on for months and months and months.
I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."
Anytime you test for a TV show, you have that bit of squeamishness entering into it because they lock you in for a number years.
My whole life is a practical joke. Every evening and every show has really become about entertaining me. I was always like that. And now I've come full circle because that's what the TV show is too.
War isn't a TV show with plot twists to keep the viewers interested. The proliferation of images and blanket media coverage have suffocated the life out of old-style photojournalism.
I feel like every first episode of a TV show is bad, you know, and it always improves.
Well, I think “likability” is an overused word. I don’t watch people 'cause I like them; I watch them because they’re compelling. Sympathetic is a little different... Likable just thins you out. Working to make a character likable is what kills most TV shows.
I was watching Batman, the TV show, on TV Land, on the cable. And Robin said to Batman, Golly, Batman! Why is the Joker so evil!? And Batman said, Careful, Robin. The criminal mind sees the world through a prism the solid citizen dare not peer through. Batman has a more nuanced worldview than the president.
I was living under a desk in West Hollywood. It was a closet that I shared with another comic. I was shocked when they called me to come in to try out for the show. The chances of me getting on a TV show and winning it is like one-in-a-million. I had only been doing comedy for six years at that point, so I was basically considered an open mic-er or maybe a feature act once in awhile.
I mean, a lot of people don't realize it, but fashion is one of the most racial industries left out there now. Radio and music aren't. Television and movies aren't. Even commercials now are showing interracial couples. You see a lot of diversity in TV shows, but you don't see that in fashion. You think there would be some, because the consumer is of all colors and all shades. But you don't see that in fashion.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
I think there seems to be a need for escapism at the moment. Maybe that's the type of world we're living in. It's a sanctuary, in a way, where you can immerse yourself in something that doesn't exist, whether that's TV shows or comic books or novels. it's not solely down to magic and vampires - that's in at the moment. but escapism, being a part of other worlds, is very good for you.
My thing is when we're doing a movie or TV show, I just want to go in and look at it and go, "That was great."
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
I'm actually really lazy. I tell myself, "Okay, you work six months out of the year and you have to get up at 4 a.m. ..." I'll relish the downtime by chilling on the couch and watching my favorite TV shows.
I'm obsessed with voices in film. I have this memory of how people say words, even on the most intensely stupid reality TV show.
Writing pilots is such a specific thing. It's not even really writing TV shows. A pilot is its own beast.
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
I rarely watch TV, and in the past two years, I've done three TV shows. It's quite interesting.
The only thing worse than a crappy TV show which Paddy Chayevsky couldn't have conceived in his worst nightmare is two megacorps fighting over who thought of the crappy show first.
I think comedians should focus on what makes them happy, what art form fulfills them the most. Don't be calculated about it and say, 'Okay, I'm gonna tweet, and I'm gonna podcast, and I'm gonna do standup, and one of those things is going to lead me to my own TV show.' I don't think that should be the goal.
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