I think that it's just extremely rare to see any kind of TV show that's completely written by one person, regardless of what any showrunner will tell you.
When you're recording a TV show, you really feel like you're in a bubble.
I do a TV show about a priest in London, and he is also slightly beleaguered and is subject to fate and misfortune and daily difficulty.
I find the film world very romantic. I want to try to be in more movies. When you're on a TV show and you do the same thing for years and years, it can get a little bit boring.
I like doing both comedy and drama. I'm not really feeling more drawn to one over the other. I also like dramedies. I like movies and TV shows that are mixtures of the two.
Nobody's talking about movies the way they're talking about their favorite TV shows.
I'm very grateful for work especially in film industry. It's highly competitive and there are a lot of people standing behind me jumping at the opportunity to only do one thing, like one movie or one TV show or one episode.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
I'm actually really lazy. I tell myself, "Okay, you work six months out of the year and you have to get up at 4 a.m. ..." I'll relish the downtime by chilling on the couch and watching my favorite TV shows.
I'm obsessed with voices in film. I have this memory of how people say words, even on the most intensely stupid reality TV show.
Writing pilots is such a specific thing. It's not even really writing TV shows. A pilot is its own beast.
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
I rarely watch TV, and in the past two years, I've done three TV shows. It's quite interesting.
The only thing worse than a crappy TV show which Paddy Chayevsky couldn't have conceived in his worst nightmare is two megacorps fighting over who thought of the crappy show first.
I think comedians should focus on what makes them happy, what art form fulfills them the most. Don't be calculated about it and say, 'Okay, I'm gonna tweet, and I'm gonna podcast, and I'm gonna do standup, and one of those things is going to lead me to my own TV show.' I don't think that should be the goal.
I was once asked if I had any ideas for a really scary reality TV show. I have one reality show that would really make your hair stand on end: "C-Students from Yale".
There are certain economics involved in making a network TV show that you want to amortize the costs of that, so the more episodes you make, the cheaper they all are individually.
There's so many more better TV shows than films coming out, in my opinion.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
While at college, I did my first lead on a network TV show, Medic.
When you're a guest star on TV shows - particularly in the 1960s - you're always the villain.
I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.
Yeah, my dad was in the foreign service. We lived in India, Indonesia and Africa, and we traveled a lot from those places. I was 10 when we moved back, and I felt like the odd guy out. It wasn't until later that I appreciated it. But coming back I didn't know any TV shows or music, which was even worse.
If, for some reason, everyone knew who I was without me having to have my own TV show, that's what I would do. That way, I could do less shows a year.
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