We may not have a sample size larger than one, or we may not have unlimited resources - it's a TV show, and we generally turn these things around in about a week or so.
TV is such a success nowadays because it gives back in a way that features can't. If you go to a film, you only get two hours of great storytellers and performers, and you pay top dollar for that. If you're subscribing to premium channels and you're getting all of these amazing TV shows, and you're watching them as you want, where you want, when you want, on what you want, I think that is the "the golden era of TV" in what television shows are offering to audiences. We're giving them a lot more. It's quality.
Here's my proposal, which is based on the TV show Survivor: We put the entire Congress on an island. All the food on this island is locked inside a vault, which can be opened only by an ordinary American taxpayer named Bob. Every day, the congresspersons are given a section of the Tax Code, which they must rewrite so that Bob can understand it. If he can, he lets them eat that day; if he can't, he doesn't.
Some people may contend that there is no image more charming that a child holding a puppy or kitten. But for me that's a distant second. When I see a child clutching a book... to his or her tiny bosom, I'm moved. Children can possess a book in a way they can never possess a video game, a TV show, or a Darth Vader doll. A book comes alive when they read it. They give it life themselves by understanding it.
You can say "ass," but you can't say "asshole." That's why I always cringe when a character in a TV show refers to someone as an "ass." Unless you're British, calling someone an ass really doesn't work. But those are the rules of television. You can be a dirtbag, but not a scumbag.
In some ways, a novel isn't as structurally rigorous as a screenplay or a TV show, which have finite real estate. In a novel, you can more deeply illuminate a character's interior and get away with digressions.
Critics say it's illegal for Donald Trump to run for president while hosting a TV show. It's also illegal to run for president if your hair wasn't born in this country.
When I open many books, or most leading women's magazines, or see almost all TV shows, I don't find myself at all. I am completely anonymous. My value system is not there.
I got on the TV show at 40 and that is something very rare. So, I know that God gave me that role (on) One Life to Live - the role of Carlotta, the role of a mom.
I think that it's just extremely rare to see any kind of TV show that's completely written by one person, regardless of what any showrunner will tell you.
When you're recording a TV show, you really feel like you're in a bubble.
I do a TV show about a priest in London, and he is also slightly beleaguered and is subject to fate and misfortune and daily difficulty.
I find the film world very romantic. I want to try to be in more movies. When you're on a TV show and you do the same thing for years and years, it can get a little bit boring.
I like doing both comedy and drama. I'm not really feeling more drawn to one over the other. I also like dramedies. I like movies and TV shows that are mixtures of the two.
Nobody's talking about movies the way they're talking about their favorite TV shows.
I'm very grateful for work especially in film industry. It's highly competitive and there are a lot of people standing behind me jumping at the opportunity to only do one thing, like one movie or one TV show or one episode.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
When I'm writing a theme song for a TV show I always think, "What would be Pavlovian where a kid would be in the kitchen, or an adult would be in the kitchen, and they hear the theme song come on and it would draw them back to the other room so that they would watch the show?"
I'm actually really lazy. I tell myself, "Okay, you work six months out of the year and you have to get up at 4 a.m. ..." I'll relish the downtime by chilling on the couch and watching my favorite TV shows.
I'm obsessed with voices in film. I have this memory of how people say words, even on the most intensely stupid reality TV show.
Writing pilots is such a specific thing. It's not even really writing TV shows. A pilot is its own beast.
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
I rarely watch TV, and in the past two years, I've done three TV shows. It's quite interesting.
The only thing worse than a crappy TV show which Paddy Chayevsky couldn't have conceived in his worst nightmare is two megacorps fighting over who thought of the crappy show first.
I think comedians should focus on what makes them happy, what art form fulfills them the most. Don't be calculated about it and say, 'Okay, I'm gonna tweet, and I'm gonna podcast, and I'm gonna do standup, and one of those things is going to lead me to my own TV show.' I don't think that should be the goal.
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