I don't understand what people are talking about in different rhymes glorifying jail. If you like going to bed early, getting yelled at, seeing a fight, seeing somebody getting their head split open, or fighting over the TV then that's the place for you.
When people watch me on TV they see part of my life. I wanted to let them know the real me behind the scenes. The child who was a concert violinist from the age of six. The young woman who took on the challenge to compete in the Miss America pageant. The television journalist for twenty-five years. The mother of two who, just like most women, struggles to balance work and family.
Being REAL means showing people who you are underneath all the TV make up too.
When we talk about corruption, there's corruption on both sides of the border. That's what I think is interesting. I'm from Mexico, so when I see a Mexican portrayed in the American market on TV or films, you better do it right because you won't fool me. I'm sure no one really cares on this side of the border, if they get it right or not, but all the way from Mexico, to another 120 countries where the show goes, they will be able to tell the difference.
I appreciate some people enjoy reality TV and enjoy being a part of it - and I do watch it - but it isn't for me.
I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.
One of the things that's different about London and the English market is that theater and film and television are all based in London. It's not quite the same as in the States where if the playwright here wants a successful TV or film career, they're whisked away by Hollywood.
I got on the TV show at 40 and that is something very rare. So, I know that God gave me that role (on) One Life to Live - the role of Carlotta, the role of a mom.
I met Princess Anne once at a charity do and she said Blue Peter made her realise TV was all lies - she'd gone to Africa on safari with Valerie Singleton and they didn't see a thing, but when she watched it on TV they'd edited in some lion cubs. I was like, 'Oh dear.' I still don't know if she was joking or not.
I suppose when some people see you on TV, they expect you to be this flamboyant, champagne-drinking stud. But I'm not like that.
If I thought someone was just chatting me up because of being on TV, it'd kill me.
We see images of people being beheaded on TV. That's not a thing that you see all the time. That's a different kind of scary. Unfortunately, some of the scary stuff is political, and that's a change from our past.
I do a TV show about a priest in London, and he is also slightly beleaguered and is subject to fate and misfortune and daily difficulty.
And your typical TV series, you've got your police station, your apartment, the hospital, the starship, or whatever it is, and you're constantly going back to those sets and shooting, which saves you a lot of money and time. You can do that faster because you become really familiar with it and you become really good at it.
There were a lot of lessons of production to be learned. On the page, the biggest thing you learn on any TV show is how to write to your cast. You write the show at the beginning with certain voices in your head and you have a way that you think the characters will be, and then you have an actor go out there, and you start watching dailies and episodes. Then, you start realizing what they can do and what they can't do, what they're good at and what they're not so good at, how they say things and what fits in their mouth, and you start tailoring the voice of the show to your cast.
When I was a kid, I'd watch pro football on TV and I'd see someone make a play and I'd say, 'I wish that could be me.' But then I'd have to wonder, 'Could I make that big play?'
I don't get to watch a lot of TV. I just do all my news and reading and "Meet the Press," all that fun, exciting stuff.
Since I got to the big leagues, there's been a whole lot of Direct-TV sold in Jamestown. People like to keep up with the local boy.
I'm a guy here to play football. I'm not here for photos or newspapers or TV shows or trophies or awards. I'm not into all that.
The TV is often on in our house, but I really only keep up with three shows: 'American Idol,' 'Modern Family' and 'The Walking Dead.' Sometimes I'll sip red wine - it's a nice way to slow down and relax.
It's all about attitude and feeling good about yourself and not looking like everybody on TV. You do not have to be small; you can have some junk in your trunk.
It's immoral to parent irresponsibly... And it doesn't help matters any when prime time tv, like "Murphy Brown", a character who is supposed to represent a successful career woman of today, mocks the importance of the father by bearing a child alone, and calling it just another "lifestyle choice." Marriage is probably the best anti-poverty program there is... Even though our cultural leaders in Hollywood, network TV, the national newspapers routinely jeer at [such values] I think most of us in this room know that some things are good, and other things are wrong.
Those rosy memories we all share are actually memories from our favorite TV shows. We've confused our own childhoods with episodes of "Ozzie and Harriet," "Father Knows Best," and "The Brady Bunch." In real life, Ozzie had a very visible mistress for years, Bud and Kitten on "Father Knows Best" grew up to become major druggies, and Mom on "The Brady Bunch" dated her fifteen-year-old fictional son.
Indians are very racist. It's deeply ingrained. But there is so much pressure by peer groups, magazines, billboards and TV adverts that perpetuate this idea that fair is the ideal.
I've never really had a TV career. I've been a soldier and a climber.
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