I'm just happy our nations are on the same page of keeping shitty reality TV on the air. Small world!
There's not enough psychedelic stuff on TV. I want the world to be a bit weirder than it is. I hate reality, so I hate reality TV. But I love Columbo.
Television is competitive now, and the great stories live on television right now. I'm finding that I'm enjoying television more than film, these days. That was my motivation to take a TV show.
I'm inspired by whatever I see, feel, hear about, watch on the TV...anything. It can be something that I really need to get off my chest so I write or something a friend is going through which gets my thoughts going.
I made my first film McLibel independently but only by accident. I tried to get a commission from all the standard TV broadcasters but because they had been sued by McDonald's in the past none of them would commission me so I ended up making it by credit cards and rich boyfriends (I'm joking - about the boyfriends).
I was able to make the jump to theaters without having a TV show. My passion for getting a TV show just plummeted. It was like I had already achieved what I wanted to achieve.
If people can't take the heat and can't take the controversy then they shouldn't be involved in advertising of reality TV because there is so much heat and controversy in reality TV.
What I like to do and what I have to do are two separate things. I like to read, swim, watch TV, spend time with my family. But I have to work, so I do that.
I watch TV more than I used to, and the commercials don't impress me. The standard of execution is very high, but the standard of ideas is appalling.
I'm part of the first generation who grew up with manga [comics] and anime [animation], you know, after 'Godzilla.' I was absorbed with Ultraman on TV and in manga. The profession of game designer was created really recently. If it didn't exist, I'd probably be making anime.
TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
I put my energy into writing songs. I have to carve out a living somehow doing this, and licensing is one way. It's hard to register what's "too much" for other people. I don't watch TV, so it's tough for me to gauge. I just take it as it comes, and don't put a whole lot of thought into it.
When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.
I think it's all independent films. There aren't any! If they were looking for me when I was making Polyester, then it'd be perfect, but they're not. I'm not looking for that. TV is much bigger and better now; far more people see it.
There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
Government and politics isn't like a reality TV show. It's not about voting the bad guys out of the house. You know, it's about what do we need to take our country or our state or our city forward? And people, frankly, would be well advised to really get back into understanding politics.
I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie.
I think people are sick of trends changing every six months - not because we're tired of them, but just for the sake of change. There is so much junk in the world: junk TV, junk movies, all those junk magazines with the same people on the cover.
In a culture of electronic violence, images that once caused us to empathize with the pain and trauma of another human being, excite a momentary adrenaline rush. To be numb to another's pain - to be acculturated to violence - is one of the worst consequences our technological advances. That indifference transfers from the screen, TV, film, Internet, and electronic games to our everyday lives.
More American young people can tell you where an island that the 'Survivor' TV series came from is located than can identify Afghanistan or Iraq. Ironically a TV show seems more real or at least more meaningful interesting or relevant than reality.
Twentieth-century culture's disease is the inability to feel their reality. People cluster to TV, soap operas, movies, theater, pop idols and they have wild emotion over symbols. But in the reality of their own lives, they're emotionally dead.
I know I'm an actor, but I'm not at all a believer in people watching a lot of TV. I've never had television in my home.
And so there are so many good things going on all across Iraq and unfortunately that's not what the American people see on TV or they don't read a lot about it in the newspapers.
I've had it-the agencies, the winking, the networks, the ratings. Anyone who thinks TV is an art medium is crazy-it's an advertising medium.
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