There are just times when your body and your soul feed into a character and you somehow meet at the point where that character truly lives in you. It happens in plays, in TV, in films.
I like TV in the way that it moves quickly, I like the pace of TV because I'm that type of actor. I like to go-go-go. I don't have to do 50 million takes of something. I guess I'm not that patient. I really like the pace of it.
I'm not into those shows like "hey everybody, gather round the TV, let's watch The Simpsons!" I'm not one of those guys: "I gotta get home, man, Family Guy's on! I gotta race to my TV before I miss the episode of Family Guy!" I'm not one of those guys.
When you see a black guy on TV, he's always a thug or always portrayed as someone that's in trouble. It spreads the message to everyone else that that's who we are. People often don't try to understand black men as a whole. We're creative, strong and influential.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
Pop culture, commercials. You only come across a commercial if you're watching a TV all the time. I've never been all that upset. I like hearing the songs. I guess I've never been all that caught up in it.
When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.
We may not have a sample size larger than one, or we may not have unlimited resources - it's a TV show, and we generally turn these things around in about a week or so.
I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think.
Government and politics isn't like a reality TV show. It's not about voting the bad guys out of the house. You know, it's about what do we need to take our country or our state or our city forward? And people, frankly, would be well advised to really get back into understanding politics.
Power is not just for TV sets and charging mobile phones. This electricity is critical to the industrial development of this area. If there is electricity, small scale industry will grow.
As an actor, you very rarely have the experience of picking up a script and getting a few pages into it and realizing that what you're holding in your hands is not just a role on a TV show, but it's one of those special parts that comes along, once or twice in a career. If you're lucky, you get an opportunity to do something really memorable and to be part of one of those rare shows that passes into that special category.
I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie.
One of the tricks that you have to learn, with episodic TV, is you don't know how many years you're going to be blessed with.
In a culture of electronic violence, images that once caused us to empathize with the pain and trauma of another human being, excite a momentary adrenaline rush. To be numb to another's pain - to be acculturated to violence - is one of the worst consequences our technological advances. That indifference transfers from the screen, TV, film, Internet, and electronic games to our everyday lives.
During the past few decades, modern technology, with radio, TV, air travel, and satellites, has woven a network of communication which puts each part of the world in to almost instant contact with all the other parts.
Basically, growing up, and being a teenage kid, I've always been interested in charity. And one of the benefits of being on a TV show and having a fan base, you kind of have the power to spread news around.
I know I'm an actor, but I'm not at all a believer in people watching a lot of TV. I've never had television in my home.
I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.
Newsreader: A huge asteroid could destroy Earth! And by coincidence, that's the subject of tonight's miniseries. Dogbert: In science, researchers proved that this simple device can keep idiots off your television screen. [TV remote control] Click.
This brought on the news media, TV crews, interviews, and numerous public appearances.
Nobody in TV makes as much money as Robert Redford, who likes to make movies for several million dollars only on the condition that they contain some sort of social message. I cannot take very seriously a social message delivered by an actor who is paid nine million dollars to deliver it, and who charges you five dollars to see it.
I stopped directing in 2001 for - oh, damn - four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
Tone is everything in TV.
The possibilities are endless for me - Broadway, TV, music and film.
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