I said about Van Jones . Be careful. This guy is extraordinarily dangerous and he is smart.
I started reading SF when I was about twelve and I read all I could, so any author who was writing about that time, I read. But there's no doubt who got me off originally and that was A. E. van Vogt.
I will never forget the moment when Peter van Pels and I saw a group of selected men. Among those men was Peter's father. The men were marched away. Two hours later, a lorry came by, loaded with their clothing.
I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.
Technology is mechanical and contrary to the emotions that inform a person's life. The country music field has especially been hit hard by this. All my songs have been written by people who went out of fashion years ago. Just like da Vinci and Renoir and van Gogh. Nobody paints like that anymore. But it can't be wrong to try.
Punk-rock gave music back to people. For a long time, when I was very young, I went to go see arena rock bands. I was 16 and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that. Me and [Minor Threat and Fugazi vocalist] Ian MacKaye would go to these concerts, and it was fun.
You can consider this carved in stone: I rule out becoming Herman Van Rompuy's successor.
Our ice cream man was found lying on the floor of his van covered with hundreds and thousands. Police say that he topped himself.
My first sense of myself was as an artist, a painter. I would see a Van Gogh painting and just love it, the more emotional and passionate the more it attracted me.
I am trying to keep my voice in order. Basically not talking much in the van throughout the day to preserve it, which I'm sure is welcomed by the band.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
Van Gogh was asked how he created such beautiful paintings. He said I dream my paintings and then I paint my dreams.
If the FBI parks a van bristling with cameras outside your house, you are justified in closing your blinds.
A genial and cultured Arab, Ameen Rihani, whose English is perfect and whose eloquence is astounding. He will discuss with equal eagerness and knowledge the merits of Picasso or Van Gogh, or the Zionist question, or the British achievements in Arabia.
We know that if you have $20 million, it's better to buy a van Gough print than it is buy an executive jet, from the point of view of the environment. But when you start getting down, it's like the recycling question: What are things we can really afford to do, and how much pleasure do we get out of them? We haven't even started to have that discussion, and it's getting awfully late.
I spent more time in a van then in my mom's womb.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.
I kind of came from the Townes Van Zandt school of throwing yourself off a cliff and then that's what you write about, and that rule number one of creative writing is you have to have conflict. But if you write about yourself mostly, then if you don't have conflict, then you create it. And the older I get, the more I realize that that's not a very smart way to do this. Not to say I'm the most self destructive person on earth, but it's easy to do.
I knew that I had to find out more about van Gogh. Even though I was far too young, and felt I did not have sufficient technique to write a book about Vincent van Gogh, I knew I had to try. If I didn't I would never write anything else.
Oh, I love making independent films, it's such a special, magical thing because you collaborate with a small group of people and everyone's pitching in. You'll see producers setting up the lunch table and the sound guy driving a van. We're all really there because we want to be.
We [he and his wife Trish Van Devere] don't talk politics. I'm an independent conservative; she's a radical Democrat. We never vote together.
We read the [Dracula] scripts, but Jess [De Gouw] and I are completely taken out of the hunts and anything with Van Helsing. We're just living our lives, as our characters.
Van Gogh was so under appreciated in his time, he sold only one of his 900 paintings while alive. Posthumously, he became one of the most famous artists of all time and his work is now considered priceless. Oh the irony.
In general, you have great artists who have died far too early and who have left great cultural impact. If you look at people like Vincent van Gogh or Jean-Michel Basquiat-there's a long, long list of artists who have died in tragic circumstances, and far, far too early.
By actually taking Sleepy Hollow and the Rip Van Winkle story, and finding the spirit of what was great about both of them and putting them together. So it felt, actually, like one of those ideas that clicked for us, right away, on instinct.
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