Randy and I were goggle-eyed as we gazed over the wonders of what Walt Disney had wrought. It was a magnificent demonstration of what God could do if He had more imagination.
He who touches the soil of Manhattan and the pavement of New York, touches, whenever he knows or not, Walt Whitman.
I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.
It's a mixed crowd at the dogs - black, white, hispanic - but to Walt they all look like Jackie Gleason. Heavyset guys with big plans and polyester souls.
In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.
For instance, some early ideas for Florida were done only recently. The idea of a little village was there from the beginning and now we have this "Celebration" village. Same thing for the Disney Institute. Walt talked about this idea in the very first.
Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.
The last person to stand still and repeat himself was Walt Disney. He refused to repeat himself. So to think that he'd be making the same kind of film in the year 2001 that he made in 1941 is absurd.
I really cite Walt Disney as teaching me everything I know. It sounds crazy, but I'm serious! In 'Bambi,' the mother dies, but you don't see the corpse. You see the father, the stag, come up and you see 'Bambi' alone, and that has so much more impact than seeing a mutilated deer.
Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really.
I caught my second wife screwing my stepdad. OK? It's a cruel world, Walt. Grow up.
I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.
Walt's idea was that - as soon as the people who were dining got through their main course. They were supposed to all be seated, served at the same time, when they got into the dessert.
I've been connected to the most culturally important albums of the past four years, the most influential artists of the past ten years. You have like, Steve Jobs, Walt Disney, Henry Ford, Howard Hughes, Nicolas Ghesquière, Anna Wintour, David Stern.
INCOMPOSSIBLE, adj. Unable to exist if something else exists. Two things are incompossible when the world of being has scope enough for one of them, but not enough for both - as Walt Whitman's poetry and God's mercy to man.
Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.
I gotta say - if I clicked on a movie interview, and the first part was all about Walt Whitman, I'd love that article.
Walt Whitman and Emerson are the poets who have given the world more than anyone else. Perhaps Whitman is not so widely read in England, but England never appreciates a poet until he is dead.
I had a friend in college who loved to say: 'If you can dream it, you can do it.' It became my mantra. I assumed it was a pearl of wisdom from some great thinker, a philosopher perhaps, like Descartes. It turned out to be Walt Disney, which in no way diminishes the wisdom of the advice. Anyone who can build a Magic Kingdom deserves to be listened to.
I have never read a line of Walt Whitman.
I look like Walt Disney just threw up.
The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.
All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
I was under contract with Walt Disney at the time. I was co-starring in my second season of a show called, Texas John Slaughter. The Andy Griffith Show hired me to play Thelma Lou. I only worked when they called me. I would do an episode in two days and I got paid $500. After all the federal, state and local taxes were taken out and then my agent's commission I only got $200 some dollars per episode.
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