I have the manual, and the sad thing is that many of the techniques are exactly the same ones with a few enhancements by the US since World War II. So the role of our European allies and others has just really disappointed me greatly.
The effect of AIDS was like a war in a minute country. Like, in World War I, a whole generation of Englishmen died all at once. And with AIDS, a whole generation of gay men died practically all at once, within a couple of years.
The two world wars boosted American power and devastated potential rivals to an extent that could not have lasted more than a few decades.
I mean science was blamed for all the horrors of World War I, just as it's blamed today for nuclear weapons and quite rightly.
When I worked with General Electric, again this was soon after the Second World War, you know, I was keeping up with new developments and they showed me a milling machine and this thing worked by punch cards - that's where computers were at that time, and everybody was sort of sheepish about how well this thing worked because in those days machinists were treated as though they were great musicians because they were virtuosos on these machines.
I actually thought that the idea of doing a World War II movie in the guise of a spaghetti western would just be an interesting way to tackle it. Just even the way that the spaghetti westerns tackled the history of the Old West, I thought it could be a neat thing to do that with World War II, but just as opposed to using cowboy iconography, using World War II iconography as kind of the jumping-off point.
I think record cover sleeves really led towards, but at the same time the album as we know it didn't come into being until mainly after the Second World War because record labels realized they'd be able to make a lot more money putting all the singles of an artist onto one album and selling the whole album as a kind of a concept.
I watched American TV shows: Starsky & Hutch, Dallas, Rockford Files, Bonanza. And for many summers growing up, I worked on my aunt and uncle's farm in East Anglia. Down the street was an American cemetery for the Second World War, and every Memorial Day an American bomber would fly over that cemetery and drop rose petals.
Just take Germany and the suffering of Jews during and after the Second World War. It would be legal to ridicule and to laugh at this suffering, but since it was such a trauma on the European conscience, no one is going to do it. It is an open scar, an open wound, an open reality.
Also, any older song, especially any World War II songs remind me of Mama. She goes around the house either whistling or singing all the time. It drives my sister Alice crazy when we're playing games and Mama does that while it's Alice's turn!
Men didn't like to empty bedpans, so we made women nurses. Then men didn't like to do the administrative stuff, so women were allowed to become secretaries. That's the way they entered the work force. Then we began to educate them because they had to be educated. But it wasn't until after World War II that most of the great universities of this country became coeducational.
France has not been able to come to terms with the fact that it's not a major power anymore. I mean even before the Second World War Paris was one of the main centers of intellectual and cultural life. But now Paris is a kind of subsidiary of Germany, their traditional enemy and they can't come to terms with it.
The kind of group mentality that we had lived under since the Second World War is starting to erupt, and the craving for individualism is now much stronger. It's not as taboo anymore, as it was when I was younger.
Today, the gap between productivity and compensation for the typical worker is larger than at any time since World War II.
If you had said to anyone in 1945, at the end of the Second World War with the continent it ruins, that you could have a European Union of 28 member states stretching from Portugal in the West to Estonia in the East, all of them more-or-less liberal democracies - they wouldn't have believed you.
Starting from the ruins of the Second World War, we - all Europeans said, after centuries of fighting each other, we're going to build permanent arrangements in which peace between European countries is secured, freedom is secured, and growing prosperity. And that's what we have done over the last 70 years.
World War III would become a great possibility, but such a scenario is quite possible under any new US administration... To answer your question: business as usual.
Now that we've made that decision, everyone is thinking about the practical consequences and I think Theresa May could be the most challenging prime ministership since the Suez Crisis, possibly since the Second World War.
Being born in '31 was during the Depression and in my earlier youth World War II took place - so it was not the best of times, and yet I don't recall ever having experiences that were a burden.
In terms of any sacrifices at the time [of World War II], I was somewhat protected living on a small farm where there was food, different perhaps from living in a city environment. I know such things as gas rationing did exist, but it wasn't anything that interfered with my daily activity.
There is also the issue of personal privacy when it comes the executive power. Throughout our nation's history, whether it was habeas corpus during the Civil War, Alien and Sedition Acts in World War I, or Japanese internment camps in World War II, presidents have gone too far.
[My father ] came home from World War II and he voted for [Dwight] Eisenhower. He was pretty thoughtful about those things, but never, as I said, ever campaigned for anybody. He let me put a [Barry] Goldwater sticker on his pickup truck, but he never put a bumper sticker on his car. We never had a yard sign or anything in our yards, never contributed to anybody's campaign.
Dalai Lama was leading his country during the rigors of World War II, he was in Beijing for a year in 1954; he was up against Mao Zedong and Zhou Enlai from the time that he was fifteen. So he's no newcomer or naive when it comes to politics.
I've read a lot of war writing, even World War I writing, the British war poetry of Wilfred Owen and Siegfried Sassoon, Robert Graves's memoir "Goodbye to All That," and a civilian memoir "Testament of Youth" by Vera Brittain .
Since I was a kid. I had this series by Ballantine Books about the history of World Wars I and II. In my 20s, it was the Vietnam War literature of novelists like Tim O'Brien, Philip Caputo, and Tobias Wolff, and then nonfiction such as "A Bright Shining Lie" by Neil Sheehan and "The Best and Brightest" by David Halberstam . Those are the two best histories of Vietnam.
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