The opportunity to work with women who are at the top of my list of people I'd want to work with and who are my favorite women to watch on screen, was fantastic.
I mostly, for someone who makes a lot of their living in comedy - and even for someone who doesn't make their living in comedy - I don't watch a lot of comedy.
I probably watch movies more than I actually listen to music, I think.
I don't really watch too many remakes. I saw Scorsese's version of Cape Fear, which was good. That was a good remake.
I don't know how (producer) Dan Harmon put that together but he did. Everyone gets along and we all babysit Chevy Chase (laughs) and it all works out. Plus we are given a lot of freedom to riff off each other and compliment each other's comedic style. The group is so talented, whether it be Donald Glover or Allison Brie and now Jim Rash who plays the Dean is finally a full member of the cast - oh my gosh, he is so funny. I call him Rumplestiltskin; he can spin comedy out of anything. I am in such a blessed situation - if only more people would watch it.
I love touring, I love making records, but eventually all I want...I want to score. I want people to ask me to score their film or use my songs in cinematic ways. I think the ultimate media is a story that you can watch and feel and have a musical moment to. I think it's my favorite. I love watching something when music is creating motion within the motion.
I never go back over something I've done and I never watch them again.
My idols were Michael Jackson and The Beatles and I would watch Justin Timberlake and John Mayer perform and I knew I wanted to do what they were doing!
The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character.
The purpose of the media is to make us all spectators, to watch. So that's why we have millions of fat children watching the games, eating and consuming and not playing themselves.
No matter what you watch, it has an impact. So, why not use this medium to bring great stories to millions of people around the world with the goal of not only entertaining them but inspiring them. That's what motivates me. That's why I get up every day.
I don't go to the movies much anymore. There's very little that draws me. I watch mostly the older stuff, and I often don't sit through the new films.
It's deeply personal to watch actors go to those dark places. It can be scary, so you channel them all your love and energy, and you know you'll be safe on the other side.
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
The real challenge is when I'm at work, I'm at work. I'm locked in, I'm ready to go, I'm focused. When I'm at home, I'm locked in and I'm ready to go and I'm focused on home. We don't watch the show. We don't watch the news. We don't do any of that stuff. I sit down, I play Barbies. And sometimes the kids will come home and play with me.
There are a lot of people that get interested in something, and they hear about it, and they read about it, and then they watch it happen, and that's why I had quite an interest in the lottery because you'd interest a lot of people, and then just a few would win a chance to do something.
You're an actor, you want to do a scene in class. But one of the things I've always had is I've always had a really good memory. So I would go and watch a movie and then I would see a scene in the movie and I go, hey I'd like to do that in class this Wednesday.
You get to be analytical about the process and now I can watch the movie and see all the different connection things and see all the things that are underneath the surface.
If you watch [The] Search for Signs of Intelligent Life [in the Universe], or The Incredible Shrinking Woman, or 9 to 5, there is a lot of gender politics at the forefront of Lily Tomlin work, which was kind of thrilling for me to be watching as a 10-, 11-, 12-year-old kid.
Something quite special has played out in the picturesque valleys and mountains, towns and villages of France over the past three weeks. For all who appreciate sport, it was a privilege and an inspiration to watch.
One has to watch out for engineers. They begin with the sewing machine and end up with the atomic bomb.
I can't believe it! A real gourmet kitchen, and I get to watch!
My job happens to be sports-related, so it's like my duty to watch football. It's my job. But that's not a change for me. When you're 18, it's life and death, because you don't have a kid, and it's a much bigger deal when you're 18. Having a kid - when the Vikings lost the 2009 NFC title game, it sucked, and I'm not happy about it, but my kid is still alive. You have to have that horrible forced perspective that you don't want.
I don't watch the news, I don't care about politics, I don't care about other sports.
I was in the recording studio when Pink was recording for a part of the gay rights anthem. It was just amazing to watch her perform. She's just such an incredible singer. She so funny, and so smart, yet she's doing it for this silly, silly song.
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