... fire fast when it's not working. It's better for the company, it's also better for the employee.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
Do not settle for easy. Do not settle for that first image. Craft it, work it, and make something more out of it. And finally, don't forget that the biggest joy in photography is making pictures of those things in your own life.
I worked in a steel mill, I worked in a foundry, I worked in a paper mill, I worked in a chemical refinery, construction, I did all that. It was great work, it was good. I learned welding, mechanic, carpentry, but it saved me from going back to prison because that's helpful. It's really sad because those jobs are gone.
Normally I do all my own post work. It's not that I do it better than anyone else, I just do it my way. I make decisions. People who print at labs are probably far better printers, but they won't make my decisions mid-process. I don't want to be out of the loop. I want to be a photographer and do all of it.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
Pot came first when I was young. But I did the work. It wasn't a battle of what came first. They went together like "love and marriage, horse and carriage!"
Do not seek earthly glory in any matter, for it is extinguished for him who loves it. In its time it blows on a man like a strong wind, and then quickly, taking from him the fruits of his good works, it goes away from him, laughing at his foolishness.
I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.
Even with my non-believing teammates, there is a great amount of unity and I truly believe that's God working. It's really cool in team sports when you're united around a belief or something you want to accomplish.
When I'm working, it's those actors (you know who you are) who sit around moaning that their trailer isn't big enough, or how bad their facilities are. I can't be doing with any of that, I just like to get on with it.
Just across the ocean in, say Kenya or Tanzania, a two-gender system is vital for the survival of most of the folks who live there. Men do men's work, women do women's work, and so it all gets done and the jackals can't get into the hut and eat grandpa. So, the future of the transgender movement is like the future of all human rights movements: whatever the state of things in your area now, with some work it all gets a little bit better all the time, even if it is sometimes three steps ahead and two steps back.
I had very good dentures once. Some magnificent gold work. It's the only form of jewelry a man can wear that women fully appreciate.
They (the creatures) encourage us to imitate Him whose mercy is over all His works. It may enlarge our hearts toward these poor creatures to reflect that not one of them is forgotten in the sight of our Father which is in heaven.
Let us be clear. Prison works. It ensures that we are protected from murderers, muggers and rapists, and it makes many who are tempted to commit crime think twice.
From stoplights to skyscrapers, turn anywhere in civilization and you will see imagination at work. It's in our inventions, advances and remedies and how a single parent masterminds each day. Imagination is boundless, surrounds us and resides in us all.
If you asked me what is the basis of all my work, it's the feeling there's something basically wrong with human beings.
I'm never going to be the lead actor guy. I'm real quiet and real happy and real fortunate to keep working. It's what I do. It's like the circus. I ran away and joined it a long time ago.
Theatre is so much fun because you do theatre and you have a month of working it out on your own, and then a month of rehearsal, so by the time you get to stage I know where I'm failing and I know where I'm succeeding and your boundaries are pretty concrete.
Whatever role I do, I've got to do the work. It all starts with the body. Get that ready and everything else follows.
It's always hard but the reality is, especially in my case, that every time I go to work I have to do it so it's become part of the job. It's an extra challenge but it's also quite often another extra tool that you have to really think consciously about getting into the character. So while it does require more work, it's maybe even an advantage to a degree because it forces you to switch, to consciously have to jump into and out of the character.
In the general sense, there's a journey to be had. You either start at the top or the bottom for a journey to happen. Our movie has to start at the top and work it's way down. Or start at the bottom and work it's way up.
Over the years, I discovered over and over again that once you lose control, you have a chance of getting good at it. And once you're controlling the work, it's not going to be very good, or it won't be as good as it should be.
If a director says he doesn't care how many people see his films at all, I simply don't believe him. Otherwise why would he bother to make the film? The only explanation would be that it would be an act of masturbation. I think that every creator is looking for a receptor. He's looking for an audience. There are two parts of the equation: a creator and, necessarily, the receiver of the work. It's the same thing for a painter who wants his paintings to be seen.
Now there's a whole generation of filmmakers who grew up making their own films with video cameras, and have dined entirely on a diet of popular culture. It's been reflected in a lot of their work. It's self-reflective, it's quite knowing, but it's very literate.
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