When my films don't work it's usually because I tried some very experimental idea. I tried new ideas and they just didn't work, as opposed to trying to do something conventional and having it be so conventional nobody wanted to see it.
Life is continued work. It's constant learning. The whole concept of retirement I don't even buy into. We should constantly be working. Maybe not physically working, but we could be spiritually, emotionally working toward bettering ourselves and bettering the lives of others around us.
In my work, it's simultaneously realities, instead of parallel. Simultaneous avoids the problem of alternate reality. In parallel reality, there's always a hierarchy, and there doesn't necessarily have to be a hierarchy. When you're in a palace like Blenheim, you're supposed to be in awe - why not be in awe of something different than the stuff they're showing you? It's about finding your own existential place.
Attention is a strange sort of being, anyway, the idea of attention if someone appreciates your work. It's always nice that someone appreciates your work.
My grandfather was a provider. Work, any kind of work, was the joy of his life. So I grew up having a certain relationship to work. It was something that I always wanted.
That's how a good story works. It changes how you feel. It brings you to a greater appreciation, a greater joy, of your own existence.
Screenplays are not writing. They're a fake form of writing. It's a lot of dialogue and very little atmosphere. Very little description. Very little character work. It's very dangerous. You'll never learn to write.
It's easy to attack an artist as misogynist, but that's really such a facile epithet. And if an artist is constantly worrying about how others will judge a work, it can end up being a block to investigating certain areas of human nature or certain truths about sexuality.
The foolish idea that my music can actually make a difference in someone's life - that right there is proof that it's working. It makes me feel great, it really does.
DON'T wear loud clanging bangles at work, it's disruptive and noisy and your coworkers won't appreciate it! Bangles should have a gentle wind-chimey tinkle, not the crash bang of a million pots and pans.
I relax while I work. It's really weird but my job doesn't feel like work at all. That's why I try to do as much as possible. When I'm on the set, learning lines and playing around, I'm relaxed. It's so amazing.
... fire fast when it's not working. It's better for the company, it's also better for the employee.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
Do not settle for easy. Do not settle for that first image. Craft it, work it, and make something more out of it. And finally, don't forget that the biggest joy in photography is making pictures of those things in your own life.
I worked in a steel mill, I worked in a foundry, I worked in a paper mill, I worked in a chemical refinery, construction, I did all that. It was great work, it was good. I learned welding, mechanic, carpentry, but it saved me from going back to prison because that's helpful. It's really sad because those jobs are gone.
Normally I do all my own post work. It's not that I do it better than anyone else, I just do it my way. I make decisions. People who print at labs are probably far better printers, but they won't make my decisions mid-process. I don't want to be out of the loop. I want to be a photographer and do all of it.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
Pot came first when I was young. But I did the work. It wasn't a battle of what came first. They went together like "love and marriage, horse and carriage!"
Do not seek earthly glory in any matter, for it is extinguished for him who loves it. In its time it blows on a man like a strong wind, and then quickly, taking from him the fruits of his good works, it goes away from him, laughing at his foolishness.
I'm more concerned with the work people do than their gender. When I was younger, I was pretty judgmental. Things had to be a certain way. Now I just want to see the work. It doesn't matter who does it.
Even with my non-believing teammates, there is a great amount of unity and I truly believe that's God working. It's really cool in team sports when you're united around a belief or something you want to accomplish.
When I'm working, it's those actors (you know who you are) who sit around moaning that their trailer isn't big enough, or how bad their facilities are. I can't be doing with any of that, I just like to get on with it.
Just across the ocean in, say Kenya or Tanzania, a two-gender system is vital for the survival of most of the folks who live there. Men do men's work, women do women's work, and so it all gets done and the jackals can't get into the hut and eat grandpa. So, the future of the transgender movement is like the future of all human rights movements: whatever the state of things in your area now, with some work it all gets a little bit better all the time, even if it is sometimes three steps ahead and two steps back.
I had very good dentures once. Some magnificent gold work. It's the only form of jewelry a man can wear that women fully appreciate.
They (the creatures) encourage us to imitate Him whose mercy is over all His works. It may enlarge our hearts toward these poor creatures to reflect that not one of them is forgotten in the sight of our Father which is in heaven.
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