Everybody walks past a thousand story ideas every day. The good writers are the ones who see five or six of them. Most people don't see any.
The road to hell is paved with works-in-progress.
Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
If you're not failing every now and again, it's a sign you're not doing anything very innovative.
Easy reading is damn hard writing.
It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.
Writing a book is an adventure. To begin with it is a toy and an amusement. Then it becomes a mistress, then it becomes a master, then it becomes a tyrant. The last phase is that just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.
If I had to give young writers advice, I would say don't listen to writers talking about writing or themselves.
Being a writer means taking the leap from listening to saying 'Listen to me'.
I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.
There's no such thing as writer's block. That was invented by people in California who couldn't write.
Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
You should never read just for "enjoyment." Read to make yourself smarter! Less judgmental. More apt to understand your friends' insane behavior, or better yet, your own. Pick "hard books." Ones you have to concentrate on while reading. And for god's sake, don't let me ever hear you say, "I can't read fiction. I only have time for the truth." Fiction is the truth, fool! Ever hear of "literature"? That means fiction, too, stupid.
The road to hell is paved with leeks and potatoes
Don't try to figure out what other people want to hear from you; figure out what you have to say.
There is nothing to writing. All you do is sit down at a typewriter and bleed.
Whether or not you're writing fiction or you're making sculptures. You're trying to create a space. You're trying to make something where your own epiphanies and your own desires and your own understanding of the world can reveal itself.
Writing fiction, there are no limits to what you write as long as it increases the value of the paper you are writing on.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.
I didn't lie, I was writing fiction with my mouth.
Writing fiction is the act of weaving a series of lies to arrive at a greater truth.
Writing fiction, especially a long work of fiction, can be a difficult, lonely job; it's like crossing the Atlantic Ocean in a bathtub. There's plenty of opportunity for self-doubt.
Writing fiction, like reading fiction, is a practice in empathy.
I was uncomfortable writing fiction. My love was the personal essay rather than the novel.
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