Writing is thinking on paper.
Of all human activities, writing is the one for which it is easiest to find excuses not to begin – the desk’s too big, the desk’s too small, there’s too much noise, there’s too much quiet, it’s too hot, too cold, too early, too late. I had learned over the years to ignore them all, and simply to start.
You can have a very intense relationship with fictional characters because they are in your own head.
The secret of good writing is to say an old thing in a new way or to say a new thing in an old way.
Sharing our stories can also be a means of healing. Grief and loss may isolate us, and anger may alienate us. Shared with others, these emotions can be powerfully uniting, as we see that we are not alone, and realize that others weep with us.
There is probably no hell for authors in the next world - they suffer so much from critics and publishers in this.
Short stories can be rather stark and bare unless you put in the right details. Details make stories human, and the more human a story can be, the better.
If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story.
Writing is a dog's life, but the only life worth living.
Quantity produces quality. If you only write a few things, you're doomed.
To produce a mighty book, you must choose a mighty theme.
There's no money in poetry, but then there's no poetry in money, either.
First, find out what your hero wants, then just follow him.
I just write songs that I strongly believe in and that are coming from inside. There's no tricks. It's honesty with big melodies.
The act of writing is an act of optimism. You would not take the trouble to do it if you felt that it didn't matter.
Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes.
The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible.
In order to get inside their skin, I have to identify with them. That includes even the ones who are complete bastards, nasty, twisted, deeply flawed human beings with serious psychological problems. Even them. When I get inside their skin and look out through their eyes, I have to feel a certain - if not sympathy, certainly empathy for them. I have to try to perceive the world as they do, and that creates a certain amount of affection.
The only time I know that something is true is the moment I discover it in the act of writing.
A great writer created a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.
Rule one of reading other people's stories is that whenever you say 'well that's not convincing' the author tells you that's the bit that wasn't made up. This is because real life is under no obligation to be convincing.
The ideas aren't that important. Really they aren't. Everyone's got an idea for a book, a movie, a story, a TV series.
In the same way that a woman becomes a prostitute. First I did it to please myself, then I did it to please my friends, and finally I did it for money.
Young writers shouldn't be afraid of striving to emulate their favorites. It's a good way to learn, as long as you move on from it and don't publish too many of the results.
I'm out there to clean the plate. Once they've read what I've written on a subject, I want them to think, 'That's it!' I think the highest aspiration people in our trade can have is that once they've written a story, nobody will ever try it again.
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